UNDERSTANDING COMPOSITION

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Understanding Composition

Author : David Taylor
ISBN : 9781781451083
Genre : Photography
File Size : 53.82 MB
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Professional photographer David Taylor's concise, jargon-free text guides the reader through the basics of composition, why it matters, and how to attune the mind to the art of looking. Beginning with a guide to choosing a camera - and how different types help you think about composition differently - he explains aspect ratios, the focal length of lenses, and the effect of perspective. The main composition concepts - from the Rule of Thirds, the Golden Section, the Rule of Odds, visual weight and contrast, to actual and implied lines in an image, symmetry, viewpoint and abstraction - are each analysed and demonstrated with the aid of the author's own beautiful images. The techniques of exposure, depth of field, shutter speed and white balance are explained, with practical hints and tips. Finally, post-production techniques such as cropping, selective blurring, panoramic stitching and use of filters complete this in-depth guide to a fascinating area of photograph.
Category: Photography

Bryan Peterson S Understanding Composition Field Guide

Author : Bryan F. Peterson
ISBN : 9780770433086
Genre : Photography
File Size : 70.69 MB
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Learn to “see” more compelling images with this on-the-go field guide from Bryan Peterson! What makes an image amazing? Believe it or not, it is not about the content. What makes a photo compelling is the arrangement of that content—in other words, its composition. The right composition gives your images impact and emotion; the wrong one leaves them flat. In this handy, take-anywhere guide, renowned photographer, instructor, and bestselling author Bryan Peterson frees amateur photographers from the prejudices of what is “beautiful” or “ugly” so that they can instead focus on color, line, light, and pattern. Get the tools you need to show your distinct voice and point of view in every image you shoot. With this guide in your camera bag, you’ll be equipped not only to “see” beautiful images but to successfully shoot them each and every time. Also available as an ebook
Category: Photography

Understanding Composition

Author : Steve Mulligan
ISBN : PSU:000067078189
Genre : Photography
File Size : 50.7 MB
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Describes the basic concepts and tools needed to compose an effective photograph, along with settings to go to in order to practice the skill.
Category: Photography

Understanding Rock

Author : John Rudolph Covach
ISBN : 9780195100051
Genre : Music
File Size : 57.1 MB
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This text brings together essays by several of musicology and music theory's young scholars, who take a music-analytical perspective of rock music. Each essay explores the often complex musical structure of rock music and attempts to expand our understanding of the musical experience generally.
Category: Music

C Zanne S Composition

Author : Erle Loran
ISBN : 0520248457
Genre : Art
File Size : 88.3 MB
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Praise for the first edition: "I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cézanne's concrete means and methods, and he arrives thereby at an understanding of Cézanne's art more essential than any other I have seen in print."--Clement Greenberg, Nation
Category: Art

Introducing English

Author : James F. Slevin
ISBN : 9780822972266
Genre : Language Arts & Disciplines
File Size : 60.48 MB
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Over the past thirty years, composition has flowered as a discipline in the academy. Doctoral programs in composition abound, and its position in the pantheon of academic fields seems assured. There is plenty of work in composition. But what is the nature of that work now, and what should it be? James Slevin asks such probing, primary questions in Introducing English, an overdue assessment of the state of composition by one of its most respected practitioners. Too often, Slevin claims, representations of composition take the form of promoting the field and its specialists, rather than explaining the fundamental work of composition and its important consequences. In thirteen thematically and methodologically linked essays, Slevin argues toward a view of the discipline as a set of activities, not as an enclosed field of knowledge. Such a view broadens the meaning of the work of composition to include teaching and learning, a two-way process, creating alliances across conventional educational boundaries, even beyond educational institutions. Slevin traces how composition emerged for him not as a vehicle for improving student writing, but rather as a way of working collaboratively with students to interpret educational practices and work for educational reform. He demonstrates the kind of classroom practice—in reading accounts of the Anglicization of Pocahontas—that reveals the social and cultural consequences of language and language education. “For good or ill,” writes Slevin, “composition has always been at the center of the reproduction of social inequality, or of the resistance to that process.” He asks those in the discipline to consider such history in the reading and writing they ask students to do and the reasons they give for asking them to do it. A much-anthologized essay by E. B. White from The New Yorker is the site for an examination of genre as social institution, introducing the ways in which the discourses of the academy can be understood as both obstacle and opportunity. Ultimately, Introducing English is concerned with the importance of writing and the teaching of writing to the core values of higher education. “Composition is always a metonym for something else,” Slevin concludes. “Usually, it has figured the impossibility of the student body—their lacks that require supplement, their ill-health that requires remedy.” Introducing English introduces a new figure—a two-way process of inquiry—that better serves the intellectual culture of the university. Chapters on writing across the curriculum, university management, and faculty assessment (the tenure system) put this new model to practical, innovative use. Introducing English will be necessary reading for all those who work with composition, as well as those engaged in learning theory, critical theory, and education reform.
Category: Language Arts & Disciplines

Composition As Identity

Author : A. J. Cotnoir
ISBN : 9780191022166
Genre : Philosophy
File Size : 39.87 MB
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Composition is the relation between a whole and its parts—the parts are said to compose the whole; the whole is composed of the parts. But is a whole anything distinct from its parts taken collectively? It is often said that 'a whole is nothing over and above its parts'; but what might we mean by that? Could it be that a whole just is its parts? This collection of essays is the first of its kind to focus on the relationship between composition and identity. Twelve original articles—written by internationally renowned scholars and rising stars in the field—argue for and against the controversial doctrine that composition is identity. An editor's introduction sets out the formal and philosophical groundwork to bring readers to the forefront of the debate.
Category: Philosophy

Understanding Color In Photography

Author : Bryan Peterson
ISBN : 9780770433123
Genre : Photography
File Size : 21.27 MB
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Veteran photographer and instructor Bryan Peterson is best known for his arresting imagery using bold, graphic color and composition. Here he explores his signature use of color in photography for the first time, showing readers his process for creating striking images that pop off the page. He addresses how to shoot in any type of light, and looks at color families and how they can work together to make compelling images in commercial and art photography. He also helps readers understand exposure, flash, and other stumbling blocks that beginning and experienced photographers encounter when capturing images, showing how to get the most out of any composition. With its down-to-earth voice and casual teaching style, Understanding Color in Photography is a workshop in a book, helping any photographer take their images to the next level.
Category: Photography

Comics And Language

Author : Hannah Miodrag
ISBN : 9781628467956
Genre : Literary Criticism
File Size : 31.53 MB
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It has become an axiom in comic studies that "comics is a language, not a genre." But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the "grammar" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate. Comics and Language argues against the critical tendency to flatten the distinctions between language and images and to discuss literature purely in terms of story content. It closely examines the original critical theories that such arguments purport to draw on and shows how they in fact point away from the conclusions they are commonly used to prove. The book improves the use the field makes of existing scholarly disciplines and furthers the ongoing sophistication of the field. It provides animated and insightful analyses of a range of different texts and takes an interdisciplinary approach. Comics and Language will appeal to the general comics reader and will prove crucial for specialized scholars in the fields of comics, literature, cultural studies, art history, and visual studies. It also provides a valuable summary of the current state of formalist criticism within comics studies and so presents the ideal text for those interested in exploring this growing area of research
Category: Literary Criticism