THEATER MEIN LEBEN

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Historical Dictionary Of German Theater

Author : William Grange
ISBN : 9781442250208
Genre : Performing Arts
File Size : 46.66 MB
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This second edition of Historical Dictionary of German Theater covers German theater’s history through a chronology, an introductory essay, appendixes, and an extensive bibliography.
Category: Performing Arts

Jews And The Making Of Modern German Theatre

Author : Jeanette R. Malkin
ISBN : 9781587299346
Genre : Performing Arts
File Size : 42.71 MB
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While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
Category: Performing Arts

Theater

Author : Julius MOSEN
ISBN : BL:A0018825812
Genre :
File Size : 86.41 MB
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A W Iffland S Theater

Author : August Wilhelm Iffland
ISBN : NWU:35556007386659
Genre :
File Size : 76.14 MB
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Jahrbuch Der Jean Paul Gesellschaft

Author : Helmut Pfotenhauer
ISBN : 9783476027948
Genre : Literary Criticism
File Size : 55.54 MB
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Der zwei Jahrgänge umfassende Band sammelt die Beiträge der aus Anlass des 175. Todestages Jean Pauls im Oktober 2000 in Bayreuth abgehaltenen wissenschaftlichen Tagung unter dem Motto "Jean Paul ein Gegenklassiker".
Category: Literary Criticism

Ich Erz Hle Mein Leben

Author : Benno von Wiese
ISBN : UVA:X000506021
Genre : Authors, German
File Size : 40.64 MB
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Category: Authors, German

Popular Entertainment Class And Politics In Munich 1900 1923

Author : Robert Eben Sackett
ISBN : 0674689852
Genre : History
File Size : 74.77 MB
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From the turn of the century until 1923, the year of the National Socialist putsch, popular entertainment in Munich reflected the sentiments and ideas of its largely middle-class audience. While industrialization, rapid urbanization, World War I, and the German Revolution of 1918âe"19 created an atmosphere of turbulent change, performances on Munich's popular stages gave voice to the continuity of several basic attitudes: patriotism; nostalgia for a preindustrial, rural community; hostility toward Jews; and increasing anxiety over social status. In songs, monologues, skits, and one-act plays, popular entertainers articulated views common to Munich's traditional middle class of tradesmen and shopkeepers and its âeoenewâe or white-collar middle class of clerks and minor officials. Folksingers Karl Valentin and Weiss Ferdl serve as examples of this relationship between politics and culture. They shared their audience's class background and sympathies, and in the cabarets and music halls their songs dealt with vexed social and political issues. This intriguing book in cultural history adds to our understanding of social conditions preparing the way for political change. A model case study, it explores the roots of Nazism in a large urban setting.
Category: History

Theater

Author : Carl Blum
ISBN : HARVARD:HNT7ZA
Genre :
File Size : 54.91 MB
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Aus Meinem Leben

Author : Johann Wolfgang von Goethe
ISBN : UCAL:$B185671
Genre :
File Size : 39.22 MB
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Continental Strangers

Author : Gerd Gemünden
ISBN : 9780231536523
Genre : History
File Size : 56.72 MB
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Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.
Category: History