NEW YORK TIMES BESTSELLER The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness. Look for special features inside. Join the Circle for author chats and more.
A beautiful gift book celebrating the forgotten language of flowers. "A flower is not a flower alone; A thousand thoughts invest it"All over the world, flowers are an integral part of human culture whether it is the perfect table centre for a wedding, a beautiful bouquet for a birthday, a message of thanks, or to pay one's respect at a funeral. But, while everyone knows that red roses signify love, few may realise that an entire language of flowers exists with every bloom, folliage and plant having a particular emotion attached, be it hazel for reconcilliation, wisteria for welcome or ivy for fidelity. This unique language was created by the romantic early Victorians who carefully planned every bouquet and posy so as to deliver a desired message. Bringing the language to a new generation, this beautifully illustrated miscellany contains fifty profiled flowers, a dictionary searchable by emotion, and ideas for creating bouquets and arrangements for specific occasions. This gift book is a novel present that any flower lover will want to own.
The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that plants are animate, living beings and attributed them sensation, movement, and a certain degree of mental activity, emphasizing the continuity between humankind and plant existence. Two centuries later, the understanding of plants as active and communicative organisms has reemerged in such diverse fields as plant neurobiology, philosophical posthumanism, and ecocriticism. The Language of Plants brings together groundbreaking essays from across the disciplines to foster a dialogue between the biological sciences and the humanities and to reconsider our relation to the vegetal world in new ethical and political terms. Viewing plants as sophisticated information-processing organisms with complex communication strategies (they can sense and respond to environmental cues and play an active role in their own survival and reproduction through chemical languages) radically transforms our notion of plants as unresponsive beings, ready to be instrumentally appropriated. By providing multifaceted understandings of plants, informed by the latest developments in evolutionary ecology, the philosophy of biology, and ecocritical theory, The Language of Plants promotes the freedom of imagination necessary for a new ecological awareness and more sustainable interactions with diverse life forms. Contributors: Joni Adamson, Arizona State U; Nancy E. Baker, Sarah Lawrence College; Karen L. F. Houle, U of Guelph; Luce Irigaray, Centre National de la Recherche Scientifique, Paris; Erin James, U of Idaho; Richard Karban, U of California at Davis; André Kessler, Cornell U; Isabel Kranz, U of Vienna; Michael Marder, U of the Basque Country (UPV-EHU); Timothy Morton, Rice U; Christian Nansen, U of California at Davis; Robert A. Raguso, Cornell U; Catriona Sandilands, York U.
'A flower is not a flower alone; A thousand thoughts invest it' All over the world, flowers are an integral part of human culture whether it is the perfect table centre for a wedding, a beautiful bouquet for a birthday, a message of thanks, or to pay one's respect at a funeral. But, while everyone knows that red roses signify love, few may realise that an entire language of flowers exists with every bloom, folliage and plant having a particular emotion attached, be it hazel for reconcilliation, wisteria for welcome or ivy for fidelity. This unique language was created by the romantic early Victorians who carefully planned every bouquet and posy so as to deliver a desired message. Bringing the language to a new generation, this beautifully illustrated miscellany contains fifty profiled flowers, a dictionary searchable by emotion, and ideas for creating bouquets and arrangements for specific occasions. This gift book is a novel present that any flower lover will want to own.
The author traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures. Seaton shows that the language of flowers was not a single and universally understood correlation of flowers to meanings that men and women used to communicate in matters of love and romance. The language differs from book to book, country to country. To place the language of flowers in social and literary perspective, the author examines the nineteenth-century uses of flowers in everyday life and in ceremonies and rituals and provides a brief history of floral symbolism. She also discusses the sentimental flower book, a genre especially intended for female readers. Two especially valuable features of the book are its table of correlations of flowers and their meanings from different sourcebooks and its complete bibliography of language of flower titles. This book will appeal not only to scholars in Victorian studies and women's studies but also to art historians, book collectors, museum curators, historians of horticulture, and anyone interested in nineteenth-century popular culture.
Author : Lisa Rodensky
ISBN : 9780191652516
Genre : Literary Criticism
File Size : 24.19 MB
Format : PDF, ePub
Download : 353
Read : 1002
Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars — beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' — the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.
Mahlet, a young Ethiopian girl with a gift for storytelling, has a special bond with Yacob, the oldest in her household. When Yacob tells her stories of how he and the other warriors fought in the resistance against the Italian occupation of Ethiopia, Mahlet vows to become the keeper and teller of her family’s stories. From the time of Menelik to the present, Mahlet's long voyage through time and space links thousands of stories between Africa and Europe. Intensely personal, this powerful and beautifully narrated novel tells the story of the Italian occupation of Ethiopia as well as of others around the globe who have suffered under colonialism or have been forcibly exiled from their homelands.
Author : Daphne & Cloe
ISBN : 9782372971560
Genre : Gardening
File Size : 40.60 MB
Format : PDF
Download : 641
Read : 887
New Edition. Knowing the meaning and language of flowers is crucial for not giving a bad impression and never go wrong kind of flowers for every occasion. Find out which flower to give according to each context. In nature there are different languages. The most admired is certainly that of flowers, extremely symbolic species, both in the myths of the past and in more recent tradition. There are so many, in fact, the legends that feature flowers and their various and numerous meanings. Of course, the term "language" does not mean that the flowers speak, although on closer look, sometimes it seems to tell us something. With flowers, in fact, you can say without speaking, expressing emotions and feelings even unmentionable. The flowers, in fact, are assigned different meanings. Many species have flourished a sacred meaning, almost religious. This language belongs to white flowers in general, the highest expression of candor and innocence. Opposite meaning, however, for the flowers of red, where it symbolizes love and passion. There are also red flowers that do not necessarily express feelings of love or falling in love. We cite, for example, amaranth, plant leaves with dark red or amaranth, in fact. This species does not wither and that is this characteristic that in the language of flowers is considered as the plant of eternal friendship. The flowers of capricious are the snapdragon and aquileia, it also symbolizes selfishness. Discover the true language of flowers you can use them and give them away to express or to declare their emotions, either downward or upward. Of course, we hope that the flowers are always given away for positive reasons, maybe even sentimental. Saying "I love you" with a flower is worth much more than in the words. It 'so important to know a priori the flowers with a meaning of love. Index: Acanthus Achillea Aconite Agapanthus Amaryllis Anemone Anthurium Aquilegia or Columbine Azalea Begonia Beautiful Night hawthorn Bignonia Snapdragon Borage Bouganville Snowdrop Calendula or Marigold Calla Camellia Bluebell Cyclamen Clematis Imperial crown Dahlia Digital Cornflower Peach flowers Gaillardia Gardenia Carnation Jasmine Geranium Hyacinth White lily Sunflower Daffodil Gladiolus Wisteria Hibiscus Iris Lavender Lilac Lotus Magnolia Mallow Daisy Lily of the valley Narcissus Nasturtium Water lily Do not forget me Hydrangea Poppy Passionflower Peony Periwinkle Petunia Primrose Rhododendron Red Rose Dark red rose White Rose Pink Rose Yellow Rose Orange Rose Lilac Rose Violet Rose Blue rose Black Rose Wild Rose Edelweiss Tulip Veronica Violet Pansy