The Language of Flowers by Vanessa Diffenbaugh is a moving story of hope and forgiveness, and an international bestseller. The Victorians used flowers to express emotions: honeysuckle for devotion, azaleas for passion, and red roses for love. For Victoria Jones, flowers and their meanings are her only connection to the world – although for her, they are most useful in expressing feelings such as grief, mistrust and solitude. After a childhood in the foster care system, Victoria – now eighteen – has nowhere to go, and sleeps in a public park, where she plants a small garden of her own. When her talent is discovered by a local florist, she discovers her gift for helping others through the flowers she chooses for them. But it takes a meeting with a mysterious vendor at the flower market for her to realize what's been missing in her own life. As she starts to fall for him, though, she must confront a painful secret from her past – and decide whether it's worth risking everything for a second chance at happiness.
A beautiful gift book celebrating the forgotten language of flowers. "A flower is not a flower alone; A thousand thoughts invest it"All over the world, flowers are an integral part of human culture whether it is the perfect table centre for a wedding, a beautiful bouquet for a birthday, a message of thanks, or to pay one's respect at a funeral. But, while everyone knows that red roses signify love, few may realise that an entire language of flowers exists with every bloom, folliage and plant having a particular emotion attached, be it hazel for reconcilliation, wisteria for welcome or ivy for fidelity. This unique language was created by the romantic early Victorians who carefully planned every bouquet and posy so as to deliver a desired message. Bringing the language to a new generation, this beautifully illustrated miscellany contains fifty profiled flowers, a dictionary searchable by emotion, and ideas for creating bouquets and arrangements for specific occasions. This gift book is a novel present that any flower lover will want to own.
'A flower is not a flower alone; A thousand thoughts invest it' All over the world, flowers are an integral part of human culture whether it is the perfect table centre for a wedding, a beautiful bouquet for a birthday, a message of thanks, or to pay one's respect at a funeral. But, while everyone knows that red roses signify love, few may realise that an entire language of flowers exists with every bloom, folliage and plant having a particular emotion attached, be it hazel for reconcilliation, wisteria for welcome or ivy for fidelity. This unique language was created by the romantic early Victorians who carefully planned every bouquet and posy so as to deliver a desired message. Bringing the language to a new generation, this beautifully illustrated miscellany contains fifty profiled flowers, a dictionary searchable by emotion, and ideas for creating bouquets and arrangements for specific occasions. This gift book is a novel present that any flower lover will want to own.
The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that plants are animate, living beings and attributed them sensation, movement, and a certain degree of mental activity, emphasizing the continuity between humankind and plant existence. Two centuries later, the understanding of plants as active and communicative organisms has reemerged in such diverse fields as plant neurobiology, philosophical posthumanism, and ecocriticism. The Language of Plants brings together groundbreaking essays from across the disciplines to foster a dialogue between the biological sciences and the humanities and to reconsider our relation to the vegetal world in new ethical and political terms. Viewing plants as sophisticated information-processing organisms with complex communication strategies (they can sense and respond to environmental cues and play an active role in their own survival and reproduction through chemical languages) radically transforms our notion of plants as unresponsive beings, ready to be instrumentally appropriated. By providing multifaceted understandings of plants, informed by the latest developments in evolutionary ecology, the philosophy of biology, and ecocritical theory, The Language of Plants promotes the freedom of imagination necessary for a new ecological awareness and more sustainable interactions with diverse life forms. Contributors: Joni Adamson, Arizona State U; Nancy E. Baker, Sarah Lawrence College; Karen L. F. Houle, U of Guelph; Luce Irigaray, Centre National de la Recherche Scientifique, Paris; Erin James, U of Idaho; Richard Karban, U of California at Davis; André Kessler, Cornell U; Isabel Kranz, U of Vienna; Michael Marder, U of the Basque Country (UPV-EHU); Timothy Morton, Rice U; Christian Nansen, U of California at Davis; Robert A. Raguso, Cornell U; Catriona Sandilands, York U.
The author traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures. Seaton shows that the language of flowers was not a single and universally understood correlation of flowers to meanings that men and women used to communicate in matters of love and romance. The language differs from book to book, country to country. To place the language of flowers in social and literary perspective, the author examines the nineteenth-century uses of flowers in everyday life and in ceremonies and rituals and provides a brief history of floral symbolism. She also discusses the sentimental flower book, a genre especially intended for female readers. Two especially valuable features of the book are its table of correlations of flowers and their meanings from different sourcebooks and its complete bibliography of language of flower titles. This book will appeal not only to scholars in Victorian studies and women's studies but also to art historians, book collectors, museum curators, historians of horticulture, and anyone interested in nineteenth-century popular culture.
Author : Barbara Klein Moss
ISBN : 9780393247091
Genre : Fiction
File Size : 68.26 MB
Format : PDF, Mobi
Download : 480
Read : 800
Set in nineteenth-century New England, this exquisite novel tests a woman’s love against her husband’s utopian quest. Sophy Hedge, the artistic daughter of the town's minister, falls in love with Gideon Birdsall, a driven theology student assisting her father with a Hebrew lexicon. Sophy is drawn to Gideon's intellect, passion, and spiritual nature, while Gideon glimpses in her a free soul unbound by convention. Yet Gideon's restlessness after they wed worries Sophy, and she finds his friendship with Leander Solloway, the charismatic new schoolmaster, a cause for anxiety. As the men immerse themselves in Gideon’s mystical theories, Sophy translates her fears into secret paintings. When Sophy becomes pregnant, Gideon and Leander construct a faux Eden in a greenhouse as part of a daring experiment to discover the language of paradise—the tongue Adam spoke when he named the creatures of the earth. Sophy must decide whether to live and paint in the world her husband has made or escape to save her child and herself. Addressing the timeless issues of faith, art, and the elusive dream of perfection, Barbara Klein Moss has captured the fragility of human longing.
Mahlet, a young Ethiopian girl with a gift for storytelling, has a special bond with Yacob, the oldest in her household. When Yacob tells her stories of how he and the other warriors fought in the resistance against the Italian occupation of Ethiopia, Mahlet vows to become the keeper and teller of her family’s stories. From the time of Menelik to the present, Mahlet's long voyage through time and space links thousands of stories between Africa and Europe. Intensely personal, this powerful and beautifully narrated novel tells the story of the Italian occupation of Ethiopia as well as of others around the globe who have suffered under colonialism or have been forcibly exiled from their homelands.
Author : Ian Frazier
ISBN : 9780374709495
Genre : Fiction
File Size : 27.20 MB
Format : PDF, ePub
Download : 923
Read : 1038
Based on his widely read columns for The New Yorker, Ian Frazier's uproarious first novel, The Cursing Mommy's Book of Days, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy—beleaguered wife of Larry and mother of two boys, twelve and eight—as she tries (more or less) valiantly to offer tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller's and Sylvia Plath's: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life. Frazier has demonstrated an astonishing ability to operate with ease in a variety of registers: from On the Rez, an investigation into the lives of modern day Oglala Sioux written with a mix of humor, compassion, and imagination, to Dating Your Mom, a sidesplitting collection of humorous essays that imagines, among other things, how and why you might begin a romance with your mother. Here, Frazier tackles another genre with his usual grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy's failures and weaknesses are our own—and Frazier gives them a loving, satirical spin that is uniquely his own.