THE ART OF FILM ACTING

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The Art Of Film Acting

Author : Jeremiah Comey
ISBN : 9781136047213
Genre : Performing Arts
File Size : 27.38 MB
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This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
Category: Performing Arts

Secrets Of Screen Acting

Author : Patrick Tucker
ISBN : 9781135470340
Genre : Performing Arts
File Size : 81.56 MB
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In this new edition, Patrick Tucker retains the engaging style and useful structure of the first edition while addressing significant changes in current technology, ensuring that this volume will remain an indispensable resource for contemporary students of screen acting. Updated for a new decade of screen performance possibilities, Secrets of Screen Acting is a magician's box of acting tricks for today's performer and makes the distinction between acting for the stage and for the screen. He explains that the actor, instead of starting with what is real and trying to portray that on screen, should work with the realities of the shoot itself, and then work out how to make it all appear realistic. Tucker has created and developed several screen acting of a courses, and this book is an extension and explanation of a lifetime of work in the field. Containing over fifty acting exercises, this book leads the reader step-by-step through the elements of effective screen acting. Refreshing in its informal approach and full of instructive anecdotes, Secrets of Screen Acting is an invaluable guide for those who wish to master the art of acting on-screen.
Category: Performing Arts

The Art Of American Screen Acting 1912 1960

Author : Dan Callahan
ISBN : 9781476632520
Genre : Performing Arts
File Size : 61.73 MB
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 Some people claim that audiences go to the movies for the genre. Others say they go for the director. But most really go to see their favorite actors and actresses. This book explores the work of many of classic Hollywood’s influential stars, such as James Cagney, Bette Davis, Cary Grant and Katharine Hepburn. These so-called “pre–Brando” entertainers, often dismissed as old fashioned, were part of an explosion of talent that ran from the late 1920s through the early 1950s. The author analyzes their compelling styles and their ability to capture audiences.
Category: Performing Arts

Film Technique And Film Acting The Cinema Writings Of V I Pudovkin

Author : V. I. Pudovkin
ISBN : 9781443721394
Genre : Drama
File Size : 79.84 MB
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FILM TECHNIQUE AND FILM ACTING- The Cinema Writings of V. I. PUDOVKIN. Contents include: CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART II. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the environment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION: THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodology or for its own standards. ...
Category: Drama

The Art Of Acting

Author : David Carter
ISBN : 9781842434284
Genre : Performing Arts
File Size : 67.86 MB
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The Art of Acting provides a basic introduction and general advice for people wishing to develop their skills as actors or actresses. It is aimed at both the amateur enthusiast and for those wishing to pursue their interest further and undertake professional training. Advice is given on the basic skills which every actor needs to develop, such as breathing, voice control, the use of body language, timing and handling the audience. The importance of understanding a text and the interaction of the characters within it is considered, as is the relationship between the actor/actress and director. Auxiliary activities such as actors' exercises and warm-ups are evaluated and general advice provided. Specific skills are discussed, such as the learning of lines, mime, mastering dialects and accents, period manners, and ensuring that make-up is suitable to the role. Summaries of the ideas of famous theorists, directors and actors, are included such as: Stanislawski, Lee Strasberg, Michael Chekhov and Dorothy Heathcote; Peter Brook and Peter Hall; and John Gielgud, Laurence Olivier, Simon Callow, Ian McKellen, Judi Dench, Alec Guinness, Michael Caine and Dirk Bogarde. There is also some consideration of the differences between stage and screen acting; the problems of acting in the open air and the particular demands of certain playwrights, such as Shakespeare, and Brecht.
Category: Performing Arts

The Science And Art Of Acting For The Camera

Author : John Howard Swain
ISBN : 9781315309019
Genre : Performing Arts
File Size : 61.87 MB
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The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television. Written by veteran actor, producer, and director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi-dimensional characters; construct truthful and exciting relationships; ignite stimulating emotions; craft a series of discoveries guaranteed to energize your work; and much, much more. The book also provides instruction for actors working in commercials—from slating, to the dreaded "tell us about yourself" interview, to nailing "the tag" and embracing the cliché—and supplies sample commercial copy for students to practice.
Category: Performing Arts

Becoming Film Literate The Art And Craft Of Motion Pictures

Author : Vincent LoBrutto
ISBN : 9780313088681
Genre : Performing Arts
File Size : 82.14 MB
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Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. In this groundbreaking new book, Vincent LoBrutto provides an enjoyable and accessible education in the art of cinema: using 50 landmark films spanning the history of the medium, LoBrutto illustrates such important concepts as editing, production design, cinematography, sound, screen acting, narrative structure, and various genres, nationalities, and film eras. Each concept is illustrated by the selection of a film that epitomizes its use, so that readers will learn about film authorship in Citizen Kane, multiplot narrative in Nashville, widescreen filmmaking in Rebel without a Cause, and screen violence in The Wild Bunch. Explaining the various tricks of the moviemaking trade, Becoming Film Literate offers a crash course in cinema, one designed to give even the novice reader a solid introduction to this complex and multifaceted medium. Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. In this groundbreaking new book, Vincent LoBrutto provides an enjoyable and accessible education in the art of cinema: using 50 landmark films spanning the history of the medium, LoBrutto illustrates such important concepts as editing, production design, cinematography, sound, screen acting, narrative structure, and various genres, nationalities, and film eras. Each concept is illustrated by the selection of a film that epitomizes its use, so that readers will learn about film authorship in Citizen Kane, multiplot narrative in Nashville, widescreen filmmaking in Rebel without a Cause, and screen violence in The Wild Bunch. Providing a unique opportunity to become acquainted with important movies and the elements of their greatness, Becoming Film Literate offers a crash course in cinema, one designed to give even the novice reader a solid introduction to this complex and multifaceted medium.
Category: Performing Arts

On Screen Acting

Author : Edward Dmytryk
ISBN : 1138584363
Genre : Motion picture acting
File Size : 20.20 MB
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With On Screen Acting, director Edward Dmytryk and actress Jean Porter Dmytryk offer a lively dialogue between director and actress about the principles and practice of screen acting for film and television. Informal and anecdotal in style, the book spans auditioning, casting, rehearsal, and on-set techniques, and will be of interest to both aspiring and working actors and directors. Originally published in 1984, this reissue of Dmytryk's classic acting book includes a new critical introduction by Paul Thompson, as well as chapter lessons, discussion questions, and exercises.
Category: Motion picture acting

Movie Acting The Film Reader

Author : Pamela Robertson Wojcik
ISBN : 0415310253
Genre : Performing Arts
File Size : 89.87 MB
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This title explores one of the most central but often overlooked aspects of cinema: film acting. Combining classic and recent essays, it examines key issues. What constitutes film acting? How is film acting different from stage acting? How has film acting changed over the years?.
Category: Performing Arts

The Art Of Directing Actors

Author : Ernest Goodman
ISBN : 0616004281
Genre :
File Size : 52.70 MB
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This is a handbook that has all the tools you'll need to effectively direct actors and to create memorable performances. By detailing out modern and classical methods for directing actors, you'll have a complete and versatile toolbox to draw on for use in any film or theater production (17 tools). The Art of Directing Actors points out the most common mistakes made by film and theater directors and actors, and offers ways to do better. In addition, a full list and classification of action verbs with a thesaurus, plus examples of a full script breakdown (The Bear by Anton Chekhov) with objectives, actions, and other tools are included. Finally, there are exercises in a useful format so you may apply your understanding of the several methods of directing actors. This book is about the art of directing actors, whether it is for film or for theater. The inner life of the actor, acting techniques, certain rules of human behavior, common mistakes of the director, and various methods of directing are discussed. Meaningful and successful directing is not an arbitrary manipulation of the actor's behavior. A director can't effectively extract a specific result from an actor in the form of an emotion such as cry, be sad, etc. by simply commanding it. The art of directing is expressed in the distillation of ideas, and making the proper choices to best express those ideas. The art of acting and the art of directing are related to each other as in the two sides of one coin. Learning methods for directing actors is not difficult by itself. The main difficulty lies in the application of the methods. By continuous practice and experience over time, good directing will follow in an easy, elegant and graceful way. Being graceful is a supreme goal of an artist, and a director is an artist and the reason this book is called The Art of Directing Actors.
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