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Now as sumptuously packaged as they are critically acclaimed—a new deluxe trade paperback edition of the beloved stories. The stories of ?The Arabian Nights ?(and stories within stories, and stories within stories within stories) are famously told by the Princess Shahrazad, under the threat of death should the king lose interest in her tale. Collected over the centuries from India, Persia, and Arabia, and ranging from adventure fantasies, vivacious erotica, and animal fables, to pointed Sufi tales, these stories provided the daily entertainment of the medieval Islamic world at the height of its glory. No one knows exactly when a given story originated, and many circulated orally for centuries before being written down; but in the process of telling and retelling, they were modified to reflect the general life and customs of the Arab society that adapted them—a distinctive synthesis that marks the cultural and artistic history of Islam. This translation is of the complete text of the Mahdi edition, the definitive Arabic edition of a fourteenth-century Syrian manuscript, which is the oldest surviving version of the tales and considered to be the most authentic.
Now as sumptuously packaged as they are critically acclaimed—new deluxe trade paperback editions of the beloved stories. Husain Haddawy’s rapturously received translation of The Arabian Nights is based on a landmark reconstruction of the earliest extant manuscript version. Readers of this classic will also want to own Sindbad, a collection of four later stories associated with the Arabian Nights tradition, including “Sindbad the Sailor” and “Aladdin and the Magic Lamp.”
Arabic Literature for the Classroom argues for a more visible presence of Arabic within the humanities and social sciences, stressing the need to make Arabic literature available as a world literature, without damaging its own distinctive characteristics. The nineteen chapters which make up this book broach theoretical and methodical cultural concerns in teaching literatures from non-American cultures, along with issues of cross-cultural communication, cultural competency and translation. While some chapters bring out the fascinating and ever tantalizing connections between Arabic and the literatures of medieval Europe, others employ specific approaches to teaching particular texts, potential methodologies, themes and a variety of topics that can place Arabic widely in a vast swathe of academic application and learning. Topics that are explored include gender, race, class, trauma, exile, dislocation, love, rape, humor, and cinema, as well as issues that relate to writers and poets, women’s writing and the so called nahdah (revival) movement in the 19th Century. The comparative framework and multi-disciplinary approach means that this book injects new life into the field of Arabic Literature. It will therefore be an essential resource for students, scholars and teachers of Arabic Literature, as well as for anyone with an interest in learning more about Arabic culture.
Now as sumptuously packaged as they are critically acclaimed? new deluxe trade paperback editions of the beloved stories. Husain Haddawy?s rapturously received translation of The Arabian Nights is based on a landmark reconstruction of the earliest extant manuscript version. Readers of this classic will also want to own Sindbad, a collection of four later stories associated with the Arabian Nights tradition, including ?Sindbad the Sailor? and ?Aladdin and the Magic Lamp.?
The Arabian Nights and Orientalism was inspired by the tercentenary of the first Western edition of The Arabian Nights. Yuriko Yamanaka and Tetsuo Nishio marry Eastern and Western perspectives to provide a fascinating study of how this literary phenomenon brought about such a unique and rich cross-cultural fertilization. The Arabian Nights and Orientalism examines the tales’ narrative motifs, and relates them to other cultures, traditions, and forms of representation. The authors situate the work for the first time firmly in the context of world literatures, for as Robert Irwin points out in his though-provoking introduction, the ‘Nights’ has for too long been overshadowed by the great Orientalism debate, with the stories either being portrayed as the embodiment of the West’s fantasy of the Orient or as the authentic essence of the East. By introducing Japanese perspective on the ‘Nights’ for the first time, Yamanka and Nishio move beyond the restrictive categories of East and West and offer a more sophisticated appreciation of the tales. The stories are placed in a stimulating new range of contexts, from 19th century British feminism to ancient Greek romance. Yamanka and Nishio show how the Nights have picked up on, and reproduced themes which resonate across a wide spectrum of eras and cultures, from medieval Europe to Meiji Japan. Extensively illustrated throughout, The Arabian Nights and Orientalism will be of interest to scholars of the Middle East as well as anyone who has ever fallen under the spell of Scheherazade’s stories.
The acclaimed retelling of the world’s best-loved fairy tales by the #1 New York Times bestselling author of The Golden Compass and The Book of Dust—now in paperback, and with 3 new tales! Two centuries ago, Jacob and Wilhelm Grimm published their first volume of fairy tales. Since then, such stories as “Cinderella,” “Snow White,” “Rapunzel,” and “Hansel and Gretel” have become deeply woven into the Western imagination. Now Philip Pullman, the New York Times bestselling author of the His Dark Materials trilogy, makes us fall in love all over again with the immortal tales of the Brothers Grimm. Here are Pullman’s fifty favorites—a wide-ranging selection that includes the most popular stories as well as lesser-known treasures like “The Three Snake Leaves,” “Godfather Death,” and “The Girl with No Hands”—alongside his personal commentaries on each story’s sources, variations, and everlasting appeal. Suffused with romance and villainy, danger and wit, Pullman’s beguiling retellings will cast a spell on readers of all ages. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Issued also separately.