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Using a broad array of historical and literary sources, this book presents an unprecedented detailed history of the superhero and its development across the course of human history. • Presents a concise but thorough history of the superhero comic industry, from the 1930s to today • Clearly describes the two main forms of the historical superhero, the Costumed Avenger and the Superman • Suggests a new way in which to evaluate superheroes and explains why this new methodology is important • Identifies and examines the ways in which superheroes have been present in popular literature since the beginning of human history
The Gothic has always been fascinated with objects carrying with them a sense of horror – the decomposing body, the rigid corpse, the bleeding statue, the spectral skeleton – capable of creating a sublime form of beauty. Gothic Remains: Corpses, Terror and Anatomical Culture, 1764–1897 offers an exploration of those Gothic tropes and conventions that were most thoroughly steeped in the anatomical culture of the period – from skeletons, used to understand human anatomy, to pathological human remains exhibited in medical museums; from bodysnatching aimed at providing dissection subjects, to live-burials resulting from medical misdiagnoses and pointing to contemporary research into the signs of death. The historicist reading of canonical and less-known Gothic texts proposed throughout Gothic Remains, explored through the prism of anatomy, seeks to offer new insights into the ways in which medical practice and the medical sciences informed the aesthetics of pain and death typically read therein, and the two-way traffic that emerged between medical literature and literary texts.