Rhetoric And Representation In Nonfiction Film

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Rhetoric And Representation In Nonfiction Film

Author : Carl Plantinga
ISBN : 1936243016
Genre : Performing Arts
File Size : 42.62 MB
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Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video.
Category: Performing Arts

Shakespeare In The Cinema

Author : Stephen M. Buhler
ISBN : 9780791489758
Genre : Social Science
File Size : 23.12 MB
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A comprehensive look at film adaptations of Shakespeare's plays.
Category: Social Science

Moving Viewers

Author : Carl Plantinga
ISBN : 0520943910
Genre : Performing Arts
File Size : 81.83 MB
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Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
Category: Performing Arts

Beyond Bias

Author : Associate Professor of Film and Media Studies Scott Krzych
ISBN : 9780197551219
Genre : Performing Arts
File Size : 40.78 MB
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""Bias" is a term that circulates frequently in the contemporary landscape of political media, a term intended to diagnose a failure when media outlets fail to maintain journalistic objectivity. Beyond Bias interrogates what would seem, at first glance, to be cases of utterly biased examples of political media-contemporary conservative documentary films. However, rather than dismiss such examples of political representation as exemplars of ideological nonsense, reactionary propaganda, etc., Beyond Bias locates in such examples of conservative media a mode of discourse central to contemporary democratic debate in the US. Specifically, this book identifies conservative media as a mode of hysterical discourse. As the book makes clear, hysterical political discourse occurs when debate is simulated as a means to avoid a more substantive exchange; when appeals to compromise function as a screen to blur the distinctions between opposing sides or viewpoints; as recourse to any and all opinions or "alternative facts" conducive to conservatism's ideological priorities, no matter how divorced from reality; through the reduction of complex issues into moral binaries; through the depoliticizing emphasis on form over content; and, ultimately, as a sustained means to "police" the political with excess nonsense and noise that drowns out any alternative voices. Drawing from psychoanalytic theories of hysteria (Jacques Lacan, Juliet Mitchell, Teresa Brennan, Christopher Bollas, and others) and Jacques Ranciáere's aesthetic politics, and likewise by placing conservative documentaries in the context of many concerns central to Documentary Studies (participation, observation, representation, the archive, etc.), Beyond Bias views conservative documentary, and conservative media and politics more generally, not as the biased excesses of the contemporary political landscape but rather as texts central to understanding the implicit, though sometimes affectively traumatic, antagonisms inevitable in democracy and constitutive of democratic debate"--
Category: Performing Arts

Documentary

Author : Paul Ward
ISBN : 9780231850094
Genre : Performing Arts
File Size : 52.4 MB
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In using case studies such as Touching the Void (2003) and the films of Nick Broomfield, this timely introduction to the growing field of documentary explores the definition and understanding of the form, as well as the relationship between documentary and drama, specifically the notion of reconstruction and reenactment. Paul Ward also discusses animated documentaries, the fertile genre of comedy, and feature-length contemporary works that have achieved widespread cinematic release.
Category: Performing Arts

Playing To The Camera

Author : Thomas Cohen
ISBN : 9780231501804
Genre : Performing Arts
File Size : 54.14 MB
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Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.
Category: Performing Arts

Challenge For Change

Author : Thomas Waugh
ISBN : 9780773585270
Genre : Performing Arts
File Size : 21.99 MB
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Pioneering participatory, social change-oriented media, the program had a national and international impact on documentary film-making, yet this is the first comprehensive history and analysis of its work. The volume's contributors study dozens of films produced by the program, their themes, aesthetics, and politics, and evaluate their legacy and the program's place in Canadian, Québécois, and world cinema. An informative and nuanced look at a cinematic movement, Challenge for Change reemphasizes not just the importance of the NFB and its programs but also the role documentaries can play in improving the world.
Category: Performing Arts

What Is Non Fiction Cinema

Author : Trevor Ponech
ISBN : UOM:39015048743788
Genre : Performing Arts
File Size : 79.39 MB
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In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define “non-fiction” cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmaker's intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film.
Category: Performing Arts

The Cinema Of Me

Author : Alisa Lebow
ISBN : 9780231850162
Genre : Performing Arts
File Size : 60.25 MB
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When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Category: Performing Arts

Moving Images Culture And The Mind

Author : Ib Bondebjerg
ISBN : UOM:39015054158848
Genre : Performing Arts
File Size : 43.37 MB
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Since the rise of cinema in 1896, moving images have been of increased importance in the construction of culture and society and for the ways in which we interact with reality and with each other. With the coming of television on a global mass scale in the 1960's and the birth of computers and the information society in the 1980's, we are right now in an expanding and changing culture highly influenced by visual media.
Category: Performing Arts

Documentary

Author : Julian Stallabrass
ISBN : UCR:31210023099086
Genre : Arts, Modern
File Size : 60.64 MB
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Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Documentary has undergone a marked revival in recent art, following a long period in which it was a denigrated and unfashionable practice. This has in part been led by the exhibition of photographic and video work on political issues at Documenta and numerous biennials and, since the turn of the century, issues of injustice, violence and trauma in increasing zones of conflict. Aesthetically, documentary is now one of the most prominent modes of art-making, in part assisted by the linked transformation and recuperation of photography and video by the gallery and museum world. Unsurprisingly, this development, along with the close attention paid to photojournalism and mainstream documentary-making in a time of crisis, has been accompanied by a rich strain of theoretical and historical writing on documentary. This anthology provides a definitive historical context for documentary, exploring its roots in modernism and its critique under postmodernism; it surveys current theoretical thinking about documentary; and it examines a wide range of work by artists within, around or against documentary through their own writings and interviews. Artists surveyed include: Kutlug Ataman, Ursula Biemann, Hasan Elahi, Harun Farocki, Omer Fast, Joan Fontcuberta, Regina José Galindo, David Goldblatt, Alfredo Jaar, Emily Jacir, Lisa F. Jackson, Philip Jones Griffiths, An-My Le, Renzo Martens, Boris Mikhailov, Daido Moriyama, Walid Raad, Michael Schmidt and Sean Snyder. Writers include: James Agee, Ariella Azoulay, Walter Benjamin, Adam Broomberg, Judith Butler, Oliver Chanarin, Georges Didi-Huberman, John Grierson, David Levi Strauss, Elizabeth McCausland, Carl Plantinga, Jacques Rancière, Martha Rosler, Jean-Paul Sartre, Allan Sekula, Susan Sontag, Hito Steyerl and Trinh T. Minh-ha.
Category: Arts, Modern

Lost Illusions

Author : David A. Cook
ISBN : UOM:39015054120996
Genre : Performing Arts
File Size : 90.93 MB
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This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.
Category: Performing Arts

Sight And Sound

Author :
ISBN : UCSC:32106015458687
Genre : Motion pictures
File Size : 82.52 MB
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Category: Motion pictures

South Atlantic Review

Author :
ISBN : UOM:39015067435464
Genre : Languages, Modern
File Size : 24.42 MB
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Category: Languages, Modern

Animation Journal

Author :
ISBN : UCSC:32106018269941
Genre : Animated films
File Size : 56.55 MB
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Category: Animated films