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"When it comes to love, there are a million theories to explain it. But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name . . . . It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer."—Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.
Author : Harry Eyres
ISBN : 9781466834033
Genre : Biography & Autobiography
File Size : 51.10 MB
Format : PDF, Mobi
Download : 465
Read : 390
A wise and witty revival of the Roman poet who taught us how to carpe diem What is the value of the durable at a time when the new is paramount? How do we fill the void created by the excesses of a superficial society? What resources can we muster when confronted by the inevitability of death? For the poet and critic Harry Eyres, we can begin to answer these questions by turning to an unexpected source: the Roman poet Horace, discredited at the beginning of the twentieth century as the "smug representative of imperialism," now best remembered—if remembered—for the pithy directive "Carpe diem." In Horace and Me: Life Lessons from an Ancient Poet, Eyres reexamines Horace's life, legacy, and verse. With a light, lyrical touch (deployed in new, fresh versions of some of Horace's most famous odes) and a keen critical eye, Eyres reveals a lively, relevant Horace, whose society—Rome at the dawn of the empire—is much more similar to our own than we might want to believe. Eyres's study is not only intriguing—he retranslates Horace's most famous phrase as "taste the day"—but enlivening. Through Horace, Eyres meditates on how to live well, mounts a convincing case for the importance of poetry, and relates a moving tale of personal discovery. By the end of this remarkable journey, the reader too will believe in the power of Horace's "lovely words that go on shining with their modest glow, like a warm and inextinguishable candle in the darkness."
