Melancholy Emotion In Contemporary Cinema

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Melancholy Emotion In Contemporary Cinema

Author : Francesco Sticchi
ISBN : 9780429847455
Genre : Performing Arts
File Size : 39.88 MB
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This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.
Category: Performing Arts
Melancholy Emotion in Contemporary Cinema
Language: en
Pages: 198
Authors: Francesco Sticchi
Categories: Performing Arts
Type: BOOK - Published: 2019-01-15 - Publisher: Routledge

This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and
Mapping Precarity in Contemporary Cinema and Television
Language: en
Pages: 261
Authors: Francesco Sticchi
Categories: Performing Arts
Type: BOOK - Published: 2021-02-12 - Publisher: Palgrave Macmillan

This book examines a corpus of films and TV series released since the global financial crisis, addressing them as emblematic expressions of our age of precarity. The analysis of the motifs and characters of these case studies is built around notions originating from Mikhail Bakhtin’s literary theory and, in particular,
Saudade in Brazilian Cinema
Language: en
Pages: 180
Authors: Jack A. Draper III
Categories: Performing Arts
Type: BOOK - Published: 2017-09-01 - Publisher: Intellect Books

The Brazilian Portuguese idea of saudade is often translated as a powerful relative of nostalgia, which brings together love and grief, a melancholia and a longing focused on a memory, an absence. Saudade in Brazilian Cinema looks specifically at how this emotion is imagined on the screen. Analyzing over sixty
Stars and Masculinities in Contemporary Italian Cinema
Language: en
Pages: 230
Authors: C. O'Rawe
Categories: Performing Arts
Type: BOOK - Published: 2014-06-18 - Publisher: Springer

Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.
New Visions of Adolescence in Contemporary Latin American Cinema
Language: en
Pages: 228
Authors: Geoffrey Maguire, Rachel Randall
Categories: Performing Arts
Type: BOOK - Published: 2018-07-20 - Publisher: Springer

This volume explores the recent ‘adolescent turn’ in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of teenage protagonists in a range of recent