Author : M. E. Warlick
ISBN : 9780292756540
Genre : Art
File Size : 88.53 MB
Format : PDF, Kindle
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Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Type: BOOK - Published: 2001-03-15 - Publisher: University of Texas Press
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E.
Type: BOOK - Published: 1998 - Publisher: Oxford University Press
David Hopkins analyses a fascinating network of shared themes and images in the work of Marcel Duchamp and Max Ernst, two of the central names of modern art. Covering a period of time from 1912 to the mid-1940s, the author shows how their preoccupations intersected with those of Dada and
Authors: Uwe M. METKEN, Max Ernst, Karin von Maur, Sigrid Metken, Uwe M. Schneede, Tate Gallery, Sarah Wilson
Type: BOOK - Published: 1991 - Publisher: Prestel Pub
"This volume accompanies a major retrospective of Ernst's work at The Metropolitan Museum of Art, the first held in the United States in thirty years. Every work in the exhibition is reproduced in the lavish plates section of the book, and many comparative illustrations are included. The texts by experts