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Late Victorian Gothic Tales

Author : Roger Luckhurst
ISBN : 9780199538874
Genre : Fiction
File Size : 61.85 MB
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'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Category: Fiction

The Late Victorian Gothic

Author : Hilary Grimes
ISBN : 9781317026266
Genre : Science
File Size : 61.5 MB
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Examining the automatic writing of the spiritualist séances, discursive technologies like the telegraph and the photograph, various genres and late nineteenth-century mental science, this book shows the failure of writers' attempts to use technology as a way of translating the supernatural at the fin de siècle. Hilary Grimes shows that both new technology and explorations into the ghostly aspects of the mind made agency problematic. When notions of agency are suspended, Grimes argues, authorship itself becomes uncanny. Grimes's study is distinct in both recognizing and crossing strict boundaries to suggest that Gothic literature itself resists categorization, not only between literary periods, but also between genres. Treating a wide range of authors - Henry James, Rudyard Kipling, Arthur Conan Doyle, George Du Maurier, Vernon Lee, Mary Louisa Molesworth, Sarah Grand, and George Paston - Grimes shows how fin-de-siècle works negotiate themes associated with the Victorian and Modernist periods such as psychical research, mass marketing, and new technologies. With particular attention to texts that are not placed within the Gothic genre, but which nevertheless conceal Gothic themes, The Late Victorian Gothic demonstrates that the end of the nineteenth century produced a Gothicism specific to the period.
Category: Science

The Haunted House In Mid To Late Victorian Gothic Fiction

Author : Ilse Marie Bussing
ISBN : OCLC:818411308
Genre :
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This thesis addresses the central role of the haunted house in mid-to-late Victorian Gothic texts. It argues that haunting in fiction derives from distinct architectural and spatial traits that the middle-class Victorian home possessed. These design qualities both reflected and reinforced current social norms, and anxiety about the latter surfaced in Gothic texts. In this interdisciplinary study, literary analysis works alongside spatial examination, under the premise that literature is a space that can be penetrated and deciphered in the same way that buildings are texts that can be read and interpreted. This work is divided into two main sections, with the first three chapters introducing theoretical, historical and architectural notions that provide a background to the literary works to be discussed. The first chapter presents various theorists' notions behind haunting and the convergence of spectrality and space, giving rise to the discussion of domestic haunting and its appeal. The second chapter examines the Crystal Palace as the icon of public space in Victorian times, its capacity for haunting, as well as its ability to frame the domestic both socially and historically. The third chapter focuses on the prototype of private space at the time--the middle-class home--in order to highlight the specificity of this dwelling, both as an architectural and symbolic entity. The second section also consists of three chapters, dedicated to the "dissection" of the haunted house, divided into three different areas: liminal, secret, and surrounding space. The fourth chapter examines works where marginal space, in the shape of hallways and staircases, is the site of intense haunting. A novel by Richard Marsh and stories by Bulwer-Lytton, Algernon Blackwood and W.W. Jacobs are analyzed here. The fifth chapter is a journey through rooms and secretive space of the spectral home; works by authors such as Wilkie Collins, J.H. Riddell and Sheridan Le Fanu are considered in order to argue that the home's exceptional compartmentalization and its concern for secrecy translated effortlessly into Gothic fiction. The final chapter addresses an integral yet external part of the Victorian home--the grounds. Gardens in works by Mary Elizabeth Braddon, Margaret Oliphant, M.R. James, and Oscar Wilde are inspected, proving Gothic fiction's disregard for boundaries and its ability to exceed the parameters of the home.

A Geography Of Victorian Gothic Fiction

Author : Robert Mighall
ISBN : 0199262187
Genre : Literary Criticism
File Size : 63.87 MB
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A Geography of Victorian Gothic Fiction challenges the prevailing view that 'psychology' explains the Gothic. Mighall offers original readings of familiar texts, from Dickens to Stoker, Wilkie Collins to Conan Doyle; but also a rich store of original sources, from European travelogues to sexological textbooks, from ecclesiastic histories to pamphlets on the perils of self-abuse.
Category: Literary Criticism

In Darkest London

Author : Jamieson Ridenhour
ISBN : 9780810887770
Genre : Literary Criticism
File Size : 75.50 MB
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In the late 1830s, London began appearing as a site of literary terror, and by the end of the century a large proportion of the important Victorian “Gothic revival” novels were set in the city. In Darkest London is a full-length study of the Victorian Urban Gothic, a pervasive mode that appears not only in straightforward novels of terror but also in the works of mainstream authors. Placing the conventions of the Gothic form in their proper historical context, In Darkest London will appeal to scholars and students interested in an in-depth survey of the Urban Gothic.
Category: Literary Criticism

The Hound Of The Baskervilles In The Context Of Gothic Fiction And The Detective Story

Author : Daniel Quitz
ISBN : 9783656657224
Genre : Literary Criticism
File Size : 79.57 MB
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Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth (Sprach - und Literaturwissenschaftliche Fakultät), language: English, abstract: When enthusiastic readers and fans around the globe think of Sherlock Holmes, they do not necessarily associate the stories of the detective with Gothic fiction. Holmes is rather linked to be the supreme example of the classic detective story. Ever since the first Sherlock Holmes story "A Study in Scarlet" has been published, numerous adaptations such as theatre plays, films and a recent BBC series followed. Adding scholarly texts to the adaptations, one can certainly argue that most of the publications deal with Holmes in his role as a detective. Thus, Nils Clausson claims that “the myth of the scientific detective was born” (61). Certainly, it is more likely to associate Sherlock Holmes with crime fiction than with vampires or zombies. However, Gothic fiction is far to complex to reduce the term only to this associations. Thus, the purpose of this seminar paper is to lay the focus on Gothic elements and detective fiction in one particular Sherlock Holmes story, The Hound of the Baskervilles. Hence, the structure of the paper will be as follows. In the first chapter, the paper will be concerned with the term Gothic. This implies an attempt to both define as well as limit the notion to Gothic fiction. Moreover, the paper deals with common motifs or features of the classic Gothic fiction, which developed in the 18th century. In the next sub-chapter, the paper sets the focus on the so – called Gothic revival, which occurred in the late – Victorian era of the 19th century. As it is of peculiar interest for The Hound of the Baskervilles, some characteristics of the late-Victorian Gothic will be implied. The third and the fourth chapter will illustrate the main aspects of the paper. Subdivided into characters, setting and plot, the third chapter will discuss some Gothic elements in The Hound of the Baskervilles. Could The Hound of the Baskervilles either be considered as Gothic fiction or a detective story? Based on this question, the paper will incorporate several scientific statements to find an answer. Finally, the paper will give a conclusion as well as a bibliography.
Category: Literary Criticism

Victorian Gothic An Edinburgh Companion

Author : Andrew Smith
ISBN : 9780748654970
Genre : Literary Criticism
File Size : 53.79 MB
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A multi-disciplinary scholarly consideration of the Victorian Gothic These 14 chapters, each written by an acknowledged expert in the field, provide an invaluable insight into the complex and various Gothic forms of the nineteenth century. Covering a range of diverse contexts, the chapters focus on science, medicine, Queer theory, imperialism, nationalism, and gender. Together with further chapters on the ghost story, realism, the fin de siecle, pulp fictions, sensation fiction, and the Victorian way of death, the Companion provides a thorough-going overview of the Victorian Gothic. An essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory. Key Features * First multi-authored thorough exploration of the Victorian Gothic * Original research in all chapters * Sets the agenda for future scholarship in the field * Pedagogically awareKey WordsVictorian, Gothic, Science, Gender, Nationalism, Death, Supernatural, Ghost, Death
Category: Literary Criticism

Popular Fiction And Brain Science In The Late Nineteenth Century

Author : Anne Stiles
ISBN : 9781139504904
Genre : Literary Criticism
File Size : 69.67 MB
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In the 1860s and 1870s, leading neurologists used animal experimentation to establish that discrete sections of the brain regulate specific mental and physical functions. These discoveries had immediate medical benefits: David Ferrier's detailed cortical maps, for example, saved lives by helping surgeons locate brain tumors and haemorrhages without first opening up the skull. These experiments both incited controversy and stimulated creative thought, because they challenged the possibility of an extra-corporeal soul. This book examines the cultural impact of neurological experiments on late-Victorian Gothic romances by Robert Louis Stevenson, Bram Stoker, H. G. Wells and others. Novels like Dracula and Dr Jekyll and Mr Hyde expressed the deep-seated fears and visionary possibilities suggested by cerebral localization research, and offered a corrective to the linearity and objectivity of late Victorian neurology.
Category: Literary Criticism