Kiki Smith

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Kiki Smith
Language: en
Pages: 172
Authors: Wendy Weitman, Kiki Smith, Museum of Modern Art (New York, N.Y.), John Coletti
Categories: Art
Type: BOOK - Published: 2003 - Publisher: The Museum of Modern Art

Kiki Smith: Prints, Books, and Things is the most complete survey yet of Smith's printed art. Published to accompany an exhibition at The Museum of Modern Art, New York, in the winter of 2003-4, it contains 137 color plates documenting her work in the medium, beginning with her first screenprint,
Kiki Smith
Language: en
Pages: 216
Authors: Elizabeth Ann Brown
Categories: Photography
Type: BOOK - Published: 2010 - Publisher: Prestel Pub

Over the three decades of her career, Kiki Smith has experimented with photography as a working tool, a means of personal expression and simply as a medium in which she can explore space, composition, colour and texture.
Kiki Smith
Language: en
Pages: 39
Authors: Kiki Smith, Elizabeth Ann Brown, University of California, Santa Barbara. University Art Museum
Categories: Art
Type: BOOK - Published: 1995 - Publisher: University of California Santa

Sculpture is primarily human figures in various media, including glass.
After the Revolution
Language: en
Pages:
Authors: Eleanor Heartney, Helaine Posner, Nancy Princenthal, Sue Scott
Categories: Art
Type: BOOK - Published: 2013-11-04 - Publisher: Prestel Verlag

"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of
Memento Mori in Contemporary Art
Language: en
Pages: 250
Authors: Taylor Worley
Categories: Religion
Type: BOOK - Published: 2019-11-28 - Publisher: Routledge

This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current