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Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls "possibly the most promising horror debut of 2016." A finalist for the British Fantasy award and the Locus Award for Best Novella! John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth. As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Cassandra Khaw returns with A Song for Quiet, a new standalone Persons Non Grata novella from the world of Hammers on Bone, finalist for the British Fantasy Award and the Locus Award, and which Kameron Hurley called "a long leap into the gory, the weird, and the fantastic." Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can't escape, and music that won't let him go. On a train to Arkham, he meets trouble — visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn't call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon’s head is growing stronger, and soon he won’t be able to ignore it any more. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author : Pierre Comtois
ISBN : 9781605490595
Genre : Comics & Graphic Novels
File Size : 57.15 MB
Format : PDF, ePub, Docs
Download : 728
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TwoMorrows Publishing presents Marvel Comics in the 1980s, the third volume in Pierre Comtois’ heralded series covering the pop culture phenomenon on an issue-by-issue basis! This new book covers Marvel’s final historical phase, when the movement begun by Stan Lee, Jack Kirby, and Steve Ditko moved into a darker era that has yet to run its course. The 1980s saw Stan Lee's retreat to the West Coast, Jim Shooter's rise and fall as editor-in-chief, the twin triumphs of Frank Miller and John Byrne, the challenge of independent publishers, and the weakening hold of the Comics Code Authority that led to the company's creative downfall—and ultimately the marginalization of the industry itself. Comics such as the Chris Claremont/John Byrne X-Men, Frank Miller's Daredevil, the New Universe, Roger Stern's Avengers and Spider-Man, the new wave of dark heroes such as Wolverine and the Punisher, and more are all covered, in the analytic detail—and often irreverent manner—readers have come to expect from the previous 1960s and 1970s volumes. However, the 1980s represented years of upheaval in the comics industry—with Marvel at the center of the storm—so expect a bumpy ride in the 1980s decade that marked the beginning of the end of Marvel Comics as you knew them!