Freiwilliger Opfertod Bei Euripides

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Freiwilliger Opfertod Bei Euripides, Etc
Language: en
Pages: 106
Authors: Johanna SCHMITT
Categories:
Type: BOOK - Published: 1921 - Publisher:

Books about Freiwilliger Opfertod Bei Euripides, Etc
Euripides'
Language: en
Pages: 235
Authors: Andreas Markantonatos
Categories: Literary Criticism
Type: BOOK - Published: 2013-10-14 - Publisher: Walter de Gruyter

This volume is an accessible yet in-depth narratological study of Euripides’ Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the
A Companion to Euripides
Language: en
Pages: 640
Authors: Laura K. McClure
Categories: Literary Criticism
Type: BOOK - Published: 2017-01-17 - Publisher: John Wiley & Sons

A Companion to Euripides is an up-to-date, centralized assessment of Euripides and his work, drawing from the most recently published texts, commentaries, and scholarship, and offering detailed discussions and provocative interpretations of his extant plays and fragments. The most contemporary scholarship on Euripides and his oeuvre, featuring the latest texts
Euripides and the Tragic Tradition
Language: en
Pages: 400
Authors: Anne Norris Michelini
Categories: Literary Criticism
Type: BOOK - Published: 2006-10-02 - Publisher: Univ of Wisconsin Press

“The most extensive scholarship to appear on this Greek dramatist in many years, Michelini’s work will be important to specialists and students of classical literature, literary theory, and both English and comparative literature.”—Modern Greek Studies
Ritual Irony
Language: en
Pages: 288
Authors: Helene P. Foley
Categories: Literary Criticism
Type: BOOK - Published: 2019-03-15 - Publisher: Cornell University Press

Ritual Irony is a critical study of four problematic later plays of Euripides: the Iphigenia in Aulis, the Phoenissae, the Heracles, and the Bacchae. Examining Euripides' representation of sacrificial ritual against the background of late fifth-century Athens, Helene P. Foley shows that each of these plays confronts directly the difficulty