Creative Filmmaking From The Inside Out

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Creative Filmmaking From The Inside Out

Author : Jed Dannenbaum
ISBN : 1451603606
Genre : Performing Arts
File Size : 59.50 MB
Format : PDF, ePub, Mobi
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Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).
Category: Performing Arts
Creative Filmmaking from the Inside Out
Language: en
Pages: 224
Authors: Jed Dannenbaum, Carroll Hodge, Doe Mayer
Categories: Performing Arts
Type: BOOK - Published: 2010-06-15 - Publisher: Simon and Schuster

Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the
Directing
Language: en
Pages: 532
Authors: Michael Rabiger, Mick Hurbis-Cherrier
Categories: Performing Arts
Type: BOOK - Published: 2013-02-11 - Publisher: CRC Press

This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that
The Everything Filmmaking Book
Language: en
Pages: 304
Authors: Barb Karg, Jim Van Over, Rick Sutherland
Categories: Performing Arts
Type: BOOK - Published: 2007-01-19 - Publisher: Simon and Schuster

A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
Developing Story Ideas
Language: en
Pages: 218
Authors: Michael Rabiger
Categories: Performing Arts
Type: BOOK - Published: 2016-07-01 - Publisher: Taylor & Francis

The vast majority of screenplay and writing books that focus on story development have little to say about the initial concept that inspired the piece. Developing Story Ideas: The Power and Purpose of Storytelling, Third Edition provides writers with ideational tools and resources to generate a wide variety of stories
Star Bodies and the Erotics of Suffering
Language: en
Pages: 416
Authors: Rebecca Bell-Metereau
Categories: Performing Arts
Type: BOOK - Published: 2015-12-07 - Publisher: Wayne State University Press

Suffering in cinema can be crucial to how stars are cast in roles and perceived by audiences, whether it is performed on the screen or weathered in the form of scandal, heartbreak, disfiguration, or aging in an actor’s real life. In Star Bodies and the Erotics of Suffering, editors Rebecca