AVANT GARDE MUSEOLOGY

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Avant Garde Museology

Author : Arseny Zhilyaev
ISBN : 9781452952284
Genre : Art
File Size : 53.88 MB
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The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.
Category: Art

Rethinking Centralization

Author : Teofila Cruz-Uribe
ISBN : OCLC:1057900920
Genre :
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The purpose of this thesis was to reconceptualize the organizational principle of centralization as innovative, using the early Soviet avant-garde museological experience as an historical case study (1917 to 1929). Centralization was not generally considered innovative or effective—its Soviet application especially, which had negative associations with stagnant bureaucracy and totalitarian ideology. By focusing on the centralizing agenda of the first Soviet museum administrators and their groundbreaking work in contemporary art museums, a counterfactual to the narrative that centralization was innovation-quashing was extrapolated. This research was conducted by analyzing documents pertaining to the centralized administration and agenda of the first Soviet contemporary art museums, which included: the first Soviet decrees on nationalization; proposals on the reorganization of arts administration; proposals for the inclusion of artists in museum administration; reports on the goals and achievements of the first Soviet contemporary art museums; and justifications for the creation of a unified museum fund and connecting museum network. The main innovative output of early Soviet avant-garde museology and its centralized organization was ​cultural equity—access to culture for all. Such output was innovative because of its national level of enforcement, which was enabled by the centralization of the Soviet system. State support, the incorporation of artistic thinking within cultural administration, and more mobile collections were three key factors that led to the Soviet Union’s innovative museology. This thesis concluded that centralization could be reconceived as innovative by acknowledging that different types of centralization exist—concentration of authority ​and ​ the central coordination and centrifugal flow of information, resources, services, and goods.
Category:

Visual Thought In Russian Religious Philosophy

Author : Clemena Antonova
ISBN : 9780429557958
Genre : Religion
File Size : 78.53 MB
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This book considers a movement within Russian religious philosophy known as "full unity" (vseedinstvo), with a focus on one of its main representatives, Pavel Florensky (1882–1937). Often referred to as "the Russian Leonardo," Florensky was an important figure of the Russian religious renaissance around the beginning of the twentieth century. This book shows that his philosophy, conceptualized in his theory of the icon, brings together the problem of the "religious turn" and the "pictorial turn" in modern culture, as well as contributing to contemporary debates on religion and secularism. Organized around the themes of full unity and visuality, the book examines Florensky’s definition of the icon as "energetic symbol," drawing on St. Gregory Palamas, before offering a theological reading of Florensky’s theory of the pictorial space of the icon. It then turns to Florensky’s idea of space in the icon as Non-Euclidean. Finally, the icon is placed within wider debates provoked by Bolshevik cultural policy, which extend to current discussions concerning religion, modernity, and art. Offering an important contribution from Russian religious philosophy to issues of contemporary modernity, this book will be of interest to scholars of religious philosophy, Russian studies, theology and the arts, and the medieval icon.
Category: Religion

Cosmic Shift

Author : Ilya Kabakov
ISBN : 9781786993274
Genre : Art
File Size : 60.73 MB
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A TLS Book of the Year 2017 In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s contemporary art, culture and and theory. With contributions from Ilya and Emilia Kabakov, Boris Groys, Dmitri Prigov, Anton Vidokle, Keti Chukhrov, Oxana Timofeeva, Pavel Pepperstein, Arseny Zhilyaev and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vibrant and complex culture: one built on a contradicting dialectic between the material and the ideal, and battling its own histories and ideologies.
Category: Art

Russian Cosmism

Author : Boris Groys
ISBN : 9780262037433
Genre : Art
File Size : 32.49 MB
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Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely new art or philosophy but a new world. Cosmism went the furthest in its visions of transformation, calling for the end of death, the resuscitation of the dead, and free movement in cosmic space. This volume collects crucial texts, many available in English for the first time, by the radical biopolitical utopianists of Russian Cosmism. Cosmism was developed by the Russian philosopher Nikolai Fedorov in the late nineteenth century; he believed that humans had an ethical obligation not only to care for the sick but to cure death using science and technology; outer space was the territory of both immortal life and infinite resources. After the revolution, a new generation pursued Fedorov's vision. Cosmist ideas inspired visual artists, poets, filmmakers, theater directors, novelists (Tolstoy and Dostoevsky read Fedorov's writings), architects, and composers, and influenced Soviet politics and technology. In the 1930s, Stalin quashed Cosmism, jailing or executing many members of the movement. Today, when the philosophical imagination has again become entangled with scientific and technological imagination, the works of the Russian Cosmists seem newly relevant. ContributorsAlexander Bogdanov, Alexander Chizhevsky, Nikolai Fedorov, Boris Groys, Valerian Muravyev, Alexander Svyatogor, Konstantin Tsiolkovsky, Anton Vidokle, Brian Kuan Wood A copublication with e-flux, New York
Category: Art

Fashion And Museums

Author : Marie Riegels Melchior
ISBN : 9781472567932
Genre : Art
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Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.
Category: Art

Studies In Museology

Author :
ISBN : WISC:89124589714
Genre : Museum techniques
File Size : 46.53 MB
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Category: Museum techniques