ALBION AND NOBLE COUNTY IMAGES OF AMERICA

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Albion And Noble County

Author : Mark R Hunter and Emily Hunter
ISBN : 9781467114516
Genre : History
File Size : 25.20 MB
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Named after Indiana's first US senator, Noble County was formed in 1836, just eight years after the first recorded white settlers arrived and 20 years after Indiana's formation. Settlements grew with transportation: a trail from Fort Wayne became the now-historic Lincoln Highway; the Sylvan Lake dam, built to supply a proposed canal, attracted author Gene Stratton Porter; and railroads arrived. Each time the population grew and shifted until the citizens voted to place the county seat in "The Center," the geographic center of Noble County. Soon, Albion occupied the space, making it the smallest township in America. With 117 lakes, the Elkhart River, a state park, and numerous historic sites, Noble County became a destination for tourists, while Albion's historical downtown area, centered on a century-old courthouse in a town carved from wilderness, stands in the center of it all.
Category: History

Henry Ossawa Tanner

Author : Jr Naurice Frank Woods
ISBN : 9781315279480
Genre :
File Size : 43.92 MB
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Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859-1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America's great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.
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