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Theatre Archaeology

Author : Mike Pearson
ISBN : 9781134648443
Genre : Performing Arts
File Size : 24.89 MB
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Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
Category: Performing Arts

Art And Archaeology

Author : Ian Alden Russell
ISBN : 9781461489900
Genre : Social Science
File Size : 68.36 MB
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This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to ‘art’ and ‘archaeology’ so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.
Category: Social Science

Theatre Ecology

Author : Baz Kershaw
ISBN : 9780521877169
Genre : Drama
File Size : 82.91 MB
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A study into the relationships between performance, theatre and environmental ecology.
Category: Drama

Archaeology Of The Indian Cave Theatre

Author : Hira Lal Shukla
ISBN : UOM:39015061609361
Genre : Ambikāpur (India)
File Size : 52.43 MB
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"History of Indian cave theatre, archaeology of Ramgarh Hill."
Category: Ambikāpur (India)

From Archaeology To Spectacle In Victorian Britain

Author : Shawn Malley
ISBN : 9781317132523
Genre : History
File Size : 35.89 MB
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In his examination of the excavation of ancient Assyria by Austen Henry Layard, Shawn Malley reveals how, by whom, and for what reasons the stones of Assyria were deployed during a brief but remarkably intense period of archaeological activity in the mid-nineteenth century. His book encompasses the archaeological practices and representations that originated in Layard's excavations, radiated outward by way of the British Museum and Layard's best-selling Nineveh and Its Remains (1849), and were then dispersed into the public domain of popular amusements. That the stones of Assyria resonated in debates far beyond the interests of religious and scientific groups is apparent in the prevalence of poetry, exhibitions, plays, and dioramas inspired by the excavation. Of particular note, correspondence involving high-ranking diplomatic personnel and museum officials demonstrates that the 'treasures' brought home to fill the British Museum served not only as signs of symbolic conquest, but also as covert means for extending Britain's political and economic influence in the Near East. Malley takes up issues of class and influence to show how the middle-class Layard's celebrity status both advanced and threatened aristocratic values. Tellingly, the excavations prompted disturbing questions about the perils of imperial rule that framed discussions of the social and political conditions which brought England to the brink of revolution in 1848 and resurfaced with a vengeance during the Crimean crisis. In the provocative conclusion of this meticulously documented and suggestive book, Malley points toward the striking parallels between the history of Britain's imperial investment in Mesopotamia and the contemporary geopolitical uses and abuses of Assyrian antiquity in post-invasion Iraq.
Category: History

Marking Time

Author : Mike Pearson
ISBN : 9780859899864
Genre : Social Science
File Size : 21.46 MB
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Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city – Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites – from disused factories to scenes of crime, from auditoria to film sets – it regards as landmarks in the conception of a history of performance. Marking Time uses performance and places as a means to reflect on the character of the city itself – its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance…for other artistic practices…for other cities. Marking Time is an urban companion to the rural themes and fieldwork approaches considered in ‘In Comes I’: Performance, Memory and Landscape (University of Exeter Press, 2006).
Category: Social Science

Performing Site Specific Theatre

Author : A. Birch
ISBN : 9781137283498
Genre : Performing Arts
File Size : 64.62 MB
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This book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences it
Category: Performing Arts

Theatre In The Victorian Age

Author : Michael R. Booth
ISBN : 0521348374
Genre : Drama
File Size : 46.70 MB
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A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.
Category: Drama

The Oxford Handbook Of The Archaeology Of The Contemporary World

Author : Paul Graves-Brown
ISBN : 9780191663956
Genre : Social Science
File Size : 40.77 MB
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It has been clear for many years that the ways in which archaeology is practised have been a direct product of a particular set of social, cultural, and historical circumstances - archaeology is always carried out in the present. More recently, however, many have begun to consider how archaeological techniques might be used to reflect more directly on the contemporary world itself: how we might undertake archaeologies of, as well as in the present. This Handbook is the first comprehensive survey of an exciting and rapidly expanding sub-field and provides an authoritative overview of the newly emerging focus on the archaeology of the present and recent past. In addition to detailed archaeological case studies, it includes essays by scholars working on the relationships of different disciplines to the archaeology of the contemporary world, including anthropology, psychology, philosophy, historical geography, science and technology studies, communications and media, ethnoarchaeology, forensic archaeology, sociology, film, performance, and contemporary art. This volume seeks to explore the boundaries of an emerging sub-discipline, to develop a tool-kit of concepts and methods which are applicable to this new field, and to suggest important future trajectories for research. It makes a significant intervention by drawing together scholars working on a broad range of themes, approaches, methods, and case studies from diverse contexts in different parts of the world, which have not previously been considered collectively.
Category: Social Science

Media Archaeology And Intermedial Performance

Author : Nele Wynants
ISBN : 3319995758
Genre : Performing Arts
File Size : 56.59 MB
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This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.
Category: Performing Arts