THE SUBVERSIVE STITCH EMBROIDERY AND THE MAKING OF THE FEMININE

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The Subversive Stitch

Author : Rozsika Parker
ISBN : 9780857721921
Genre : Art
File Size : 62.44 MB
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Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements._x000D_ _x000D_ 'The Subversive Stitch' is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women._x000D_ _x000D_ "A book wonderfully rich, not only in information, but in people and ideas." - 'Guardian'_x000D_ _x000D_ "A marvellously written and illustrated book." - 'Times Educational Supplement'
Category: Art

M E A N I N G

Author : Susan Bee
ISBN : 0822325667
Genre : Art
File Size : 51.58 MB
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DIVA collection of writings from the influential feminist art journal M/E/A/N/I/N/G, with a forward by Johanna Drucker./div
Category: Art

Old Mistresses

Author : Rozsika Parker
ISBN : 9781780764047
Genre : Art
File Size : 38.17 MB
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How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new Preface by Griselda Pollock, this new edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today.
Category: Art

Women Framing Hair Serial Strategies In Contemporary Art

Author : Heather Hanna
ISBN : 9781443877787
Genre : Art
File Size : 37.84 MB
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This book explores the complex and enigmatic motif of hair in the work of five contemporary women artists, Chrystl Rijkeboer, Alice Maher, Annegret Soltau, Kathy Prendergast and Ellen Gallagher, from the late 1970s to the present. It investigates why hair is such a productive and resonant site of meaning, how it is suggestive of, and responds to, serial strategies, and why it appears to be of particular significance to women who are artists. It explores the implications of hair as an embodied material, its role as a haptic metaphor of the life cycle, and what might be seen as a darker, more liminal side of hair as a site of excess and body waste, and its ability to represent trauma and wounding . It also discusses some of the divergent histories of hair as a rich marker of identity in cultural discourses of beauty, myth and femininity, and as a symbol of status and power. Informed by a range of theoretical approaches, this book draws on Julia Kristeva s theorizations of the abject, Helene Cixous s notion of ecriture feminine, and a Deleuzian consideration of difference."
Category: Art

Blackout

Author : Antonia Caroline Lant
ISBN : 9781400862191
Genre : Performing Arts
File Size : 27.42 MB
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The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatriotic wastefulness and at worst collaboration with the enemy. Exploring the wartime breakdown of conventional gender roles on the screen and in the audience, Antonia Lant demonstrates that many British films of the period signaled their national cinematic identity by diverging from the notion of the Hollywood star, the mainstay of commercial American motion pictures, replacing her with a deglamourized, mobilized heroine. Nevertheless, the war machine demanded that British films continue to celebrate stable and reassuring gender roles. Contradictions abounded, both within film narratives and between narrative and "real life." Analyzing films of all the major wartime studios, the author scrutinizes the efforts of realist and melodramatic texts to confront women's wartime experiences, including conscription. By combining study of contemporary posters, advertisements, propaganda notices, and cartoons with consideration of recent feminist theoretical work on the cinema, spectatorship, and history, she has produced the first book to examine the relationships among gender, cinema, and nationality as they are affected by the stresses of war. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Category: Performing Arts

Contemporary Art And Classical Myth

Author : Jennie Hirsh
ISBN : 9781351571036
Genre : Art
File Size : 48.28 MB
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Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man.? Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.
Category: Art

Hunting The Collectors

Author : Susan Cochrane
ISBN : 9781443871006
Genre : Art
File Size : 44.59 MB
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This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth
Category: Art

Girlhood Of Shakespeare S Sisters

Author : Jennifer Higginbotham
ISBN : 9780748655939
Genre : Literary Criticism
File Size : 22.23 MB
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The first book-length study of the way the literature and drama of the sixteenth and seventeenth centuries constructed the category of the 'girl'.
Category: Literary Criticism

Fundraising Flirtation And Fancywork

Author : Annette Shiell
ISBN : 9781443864770
Genre : History
File Size : 68.30 MB
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Fundraising, Flirtation and Fancywork examines the history and development of the charity bazaar movement in Australia. Transported from Britain, the charity bazaar played an integral role in Australian communal, social and philanthropic life from the early days of European settlement. Ranging in size and scale, from simple sales of goods to month long extravaganzas, charity bazaars were such a popular and successful means of raising revenue that they sustained the majority of the nation’s major public and religious institutions. The nineteenth-century charity bazaar was a paradox. On the one hand, it encapsulated responsibility and civic duty through its raison d’etre, which was the provision of support for charitable causes. On the other, it encouraged a loosening of social and gendered restraint as women of the middle and upper classes repositioned themselves in a public space where the acquisition of material goods, gambling and flirting with men was actively encouraged. From their inception, bazaars were the domain of women. They provided middle and upper class women with an opportunity to exercise their organisational, creative and social skills outside the domestic sphere, within a framework of socially acceptable philanthropic endeavour. Women’s dominance and public role in charity bazaars destabilised conventional gender relations. The nucleus of the charity bazaar was the fancywork produced by women for sale on the stalls. Bazaars were an accessible and important repository for the display and sale of women’s creative work and the bazaar movement was instrumental in shaping women’s fancywork. Bazaars were revered and reviled in colonial Australia. Despite the criticisms and the many social and cultural changes that occurred in nineteenth-century Australia, charity bazaars continued to escalate in number, popularity and complexity. They predated and influenced the great international exhibitions and the development of larger shops and emporiums and by the end of the century, had evolved into themed entertainment and shopping spectacles known as grand bazaars. Charity bazaars mirrored and shaped the social customs, mores and fashions of their time and are a rich, largely untapped, interdisciplinary historical source.
Category: History

Early Modern Women And Transnational Communities Of Letters

Author : Julie D. Campbell
ISBN : 0754667383
Genre : History
File Size : 50.82 MB
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Offering a comparative and international approach to early modern women's writing, the essays gathered here focus on multiple literatures across Italy, France, England, and the Low Countries. Individual essays investigate women in diverse social classes and life stages, ranging from siblings and mothers to nuns to celebrated writers. The collection overall is invested in crossing geographic, linguistic, political, and religious borders and in exploring familial, political, and religious communities.
Category: History