THE SHAMANS OF PREHISTORY TRANCE AND MAGIC IN THE PAINTED CAVES

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Chamanes De La Pr Histoire

Author : Jean Clottes
ISBN : UOM:39015054458057
Genre : Art
File Size : 60.25 MB
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The universality of shamanistic power and practice among today's hunter-gatherers - along with the similarity of rock art found in varied sites around the world - has led Jean Clottes and David Lewis-Williams to suggest in this new book that the great art of paleolithic caves can be best understood through the lens of shamanism. Indeed, this is not a monograph on a particular site, but a general discussion of the art of painted caves and their shamanistic meaning. Through the authors' revealing words and the abundant full-color illustrations, we follow shamans into their trance states, and we watch as they carefully paint and engrave on rock surfaces the shapes of animals whose power they seek. As we learn how drawings and rituals were likely modes of shamanistic contact, we understand best the actions, accomplishments, and traces left behind by prehistoric shamans.
Category: Art

Shamans Neo Shamans

Author : Robert J. Wallis
ISBN : 0415302021
Genre : Body, Mind & Spirit
File Size : 58.58 MB
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In popular culture, such diverse characters as occultist Aleister Crowley, Doors musician Jim Morrison, and performance artist Joseph Beuys have been called shamans. In anthropology, on the other hand, shamanism has associations with sorcery, witchcraft and healing, and archaeologists have suggested the meaning of prehistoric cave art lies with shamans and altered consciousness. Robert J. Wallis explores the interface between 'new' and prehistoric shamans. The book draws on interviews with a variety of practitioners, particularly contemporary pagans in Britain and north America. Wallis looks at historical and archaeological sources to explore contemporary pagan engagements with prehistoric sacred sites such as Stonehenge and Avebury, and discusses the controversial use by neo-Shamans of indigenous (particularly native American) shamanism.
Category: Body, Mind & Spirit

Evolution And The Emergent Self

Author : Raymond L. Neubauer
ISBN : 9780231521680
Genre : Science
File Size : 46.47 MB
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Raymond L. Neubauer presents a view of nature that describes rising complexity in life in terms of increasing information content, first in genes and then in brains. The evolution of the nervous system expanded the capacity to store information with relatively open-ended programs, making learning possible. Portraying four species with high brain-to-body ratios&mdashchimpanzees, elephants, ravens, and dolphins&mdashNeubauer shows how each shares with humans the capability for complex communication, social relationships, flexible behavior, tool use, and powers of abstraction. He describes this constellation of qualities as an emergent self, arguing that humanity is not the only self-aware species and that human characteristics are embedded in the evolutionary process and are emerging in a variety of lineages on our planet. Neubauer ultimately shows that human culture is not a unique offshoot of a language-specialized primate, but an extension of a fundamental strategy that organisms have used since the beginning of life on earth to gather information and buffer themselves from environmental fluctuations. Neubauer also views these processes in a cosmic setting, detailing open thermodynamic systems that become more complex as the energy flowing through them increases. Similar processes of increasing complexity can be found in "self-organizing" structures in both living and non-living forms. Recent evidence from astronomy indicates that planet formation may be nearly as frequent as star formation. In February 2011, NASA announced that the Kepler space telescope had located fifty-four planets in the habitable zones around their stars. Life makes use of the elements most commonly seeded into space by burning and exploding stars, and the evolution of life and intelligence that occurred on our planet may be common across the universe.
Category: Science

The Oxford Handbook Of The Archaeology Of Death And Burial

Author : Sarah Tarlow
ISBN : 9780191650390
Genre : Social Science
File Size : 46.32 MB
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The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.
Category: Social Science

The Neuroscience Of Visual Hallucinations

Author : Daniel Collerton
ISBN : 9781118892800
Genre : Science
File Size : 21.66 MB
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Each year, some two million people in the United Kingdom experience visual hallucinations. Infrequent, fleeting visual hallucinations, often around sleep, are a usual feature of life. In contrast, consistent, frequent, persistent hallucinations during waking are strongly associated with clinical disorders; in particular delirium, eye disease, psychosis, and dementia. Research interest in these disorders has driven a rapid expansion in investigatory techniques, new evidence, and explanatory models. In parallel, a move to generative models of normal visual function has resolved the theoretical tension between veridical and hallucinatory perceptions. From initial fragmented areas of investigation, the field has become increasingly coherent over the last decade. Controversies and gaps remain, but for the first time the shapes of possible unifying models are becoming clear, along with the techniques for testing these. This book provides a comprehensive survey of the neuroscience of visual hallucinations and the clinical techniques for testing these. It brings together the very latest evidence from cognitive neuropsychology, neuroimaging, neuropathology, and neuropharmacology, placing this within current models of visual perception. Leading researchers from a range of clinical and basic science areas describe visual hallucinations in their historical and scientific context, combining introductory information with up-to-date discoveries. They discuss results from the main investigatory techniques applied in a range of clinical disorders. The final section outlines future research directions investigating the potential for new understandings of veridical and hallucinatory perceptions, and for treatments of problematic hallucinations. Fully comprehensive, this is an essential reference for clinicians in the fields of the psychology and psychiatry of hallucinations, as well as for researchers in departments, research institutes and libraries. It has strong foundations in neuroscience, cognitive science, optometry, psychiatry, psychology, clinical medicine, and philosophy. With its lucid explanation and many illustrations, it is a clear resource for educators and advanced undergraduate and graduate students.
Category: Science

Costume In Performance

Author : Donatella Barbieri
ISBN : 9781474236881
Genre : Art
File Size : 50.85 MB
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This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
Category: Art

God

Author : Reza Aslan
ISBN : 9780553394733
Genre : Religion
File Size : 46.22 MB
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The #1 New York Times bestselling author of Zealot and host of Believer explores humanity’s quest to make sense of the divine in this concise and fascinating history of our understanding of God. In Zealot, Reza Aslan replaced the staid, well-worn portrayal of Jesus of Nazareth with a startling new image of the man in all his contradictions. In his new book, Aslan takes on a subject even more immense: God, writ large. In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.” But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments. More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives. Advance praise for God “Breathtaking in its scope and controversial in its claims, God: A Human History shows how humans from time immemorial have made God in their own image, and argues that they should now stop. Writing with all the verve and brilliance we have come to expect from his pen, Reza Aslan has once more produced a book that will prompt reflection and shatter assumptions.”—Bart D. Ehrman, author of How Jesus Became God “Reza Aslan offers so much to relish in his excellent ‘human history’ of God. In tracing the commonalities that unite religions, Aslan makes truly challenging arguments that believers in many traditions will want to mull over, and to explore further. This rewarding book is very ambitious in its scope, and it is thoroughly grounded in an impressive body of reading and research.”—Philip Jenkins, author of Crucible of Faith
Category: Religion

Seeing And Knowing

Author : Geoffrey Blundell
ISBN : 9781315420325
Genre : Social Science
File Size : 90.5 MB
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The purpose of Seeing and Knowing is to demonstrate the depth and wide geographical impact of David Lewis-Williams’ contribution to rock art research by emphasizing theory and methodology drawn from ethnography. Contributors explore what it means to understand and learn from rock art, and a contrast is drawn between those sites where it is possible to provide a modern, ethnographic context, and those sites where it is not. This is the definitive guide to the interplay between ethnography and rock art interpretation, and is an ideal resource for students and researchers alike.
Category: Social Science

San Representation

Author : Keyan Tomaselli
ISBN : 9781317483274
Genre : Social Science
File Size : 39.97 MB
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The San or Bushmen of southern Africa have exerted a fascination over generations of writers and scholars, from novelists and anarchists to ethnologists and geneticists, and also occupy a special place in the popular imagination as the First People and the contemporary remnant of spiritual and natural man. The ways in which particular groups of people from southern Africa have been traditionally categorised and positioned as objects of scrutiny by a range of academic disciplines is increasingly being contested and questioned. There is a growing awareness of the cultural, economic and genetic entanglement of the peoples of the region. This book examines how San and Khoe people are represented, by others, as well as by those who identify as San or Khoe. The book interrogates the ways in which disciplines, through their methodologies and ways of authorising knowledge, not only "discover" or "reveal" knowledge but produce it in ways that involve complex and often ambiguous relationships with power structures and forms of intellectual, symbolic and cultural capital. One major trend that emerges is that the San and Khoe can no longer be seen as people of the past but have to be acknowledged as contemporary and socially situated individuals and communities who are increasingly contesting the representations which others have imposed on them. This book was originally published as a special issue of Critical Arts: A Journal of South-North Cultural and Media Studies.
Category: Social Science

Expanded Painting

Author : Mark Titmarsh
ISBN : 9781350004184
Genre : Philosophy
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The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Category: Philosophy