THE COLLECTED SUPERNATURAL AND WEIRD FICTION OF WILKIE COLLINS VOLUME 3 CONTAINS ONE NOVEL DEAD SECRET TWO NOVELETTES MRS ZANT AND THE GHOST AND AND FIVE SHORT STORIES TO CHILL THE BLOOD
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A third step into the unknown in the company of Wilkie Collins In this, the third and final substantial collection of the supernatural and weird fiction of Wilkie Collins from Leonaur, readers can expect yet another generous helping of the strange and chilling from this Victorian master of the genre. 'The Dead Secret' leads the way with a bizarre tale of madness, intrigue, deception and ghostly visitations that will grip the reader to the last page. The pace continues relentlessly with seven shorter pieces: 'Blow Up With the Brig', 'Mrs Zant and the Ghost', 'The Devil's Spectacles', 'The Captain and the Nymph', 'The Angler's Story of the Lady of Glenwith Grange', 'The Nun's Story of Gabriel's Marriage' and 'The Last Stage Coachman'. Those new to Collins are bound for a treat with this three volume Leonaur collection and those who already love his work now have the opportunity to own his most haunting works brought together in an attractive coordinating set.
Author : Stephen Shearer
ISBN : 9780813171364
Genre : Biography & Autobiography
File Size : 45.80 MB
Format : PDF, ePub, Mobi
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The internationally acclaimed actress Patricia Neal has been a star on stage, film, and television for nearly sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman’s Another Part of the Forest, for which she won the very first Tony Award, and The Miracle Worker. In Hollywood she starred opposite the likes of Ronald Reagan, Gary Cooper, John Wayne, Paul Newman, Fred Astaire, and Tyrone Power in some thirty films. Neal anchored such classic pictures as The Day the Earth Stood Still, A Face in the Crowd, and Breakfast at Tiffany’s, but she is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the Academy Award for Best Actress in 1963. But there has been much, much more to Neal’s life. She was born Patsy Louise Neal on January 20, 1926, in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. Neal quickly gained attention for her acting abilities in high school, community, and college performances. Her early stage successes were overshadowed by the unexpected death of her father in 1944. Soon after she left New York for Hollywood in 1947, Neal became romantically involved with Gary Cooper, her married co-star in The Fountainhead, an attachment which brought them both a great deal of notoriety in the press and a great deal of heartache in their personal lives. In 1953, Neal married famed children’s author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. In 1961, their son, Theo, was seriously injured in an automobile accident and required multiple neurosurgeries and years of rehabilitation; the following year their daughter, Olivia, died of measles. At the pinnacle of her screen career, Patricia Neal suffered a series of strokes which left her in a coma for twenty-one days. Variety even ran a headline erroneously stating that she had died. At the time, Neal was pregnant with her and Dahl’s fifth child, Lucy, who was born healthy a few months later. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses. She appeared in a number of television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for her role in The Homecoming. Patricia Neal: An Unquiet Life is the first critical biography detailing the actress’s impressive film career and remarkable personal life. Author Stephen Michael Shearer has conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress’s personal papers. The result is an honest and comprehensive portrait of an accomplished woman who has lived her life with determination and bravado.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This early work by Wilkie Collins was originally published in 1878. Born in Marylebone, London in 1824, Collins' family enrolled him at the Maida Hill Academy in 1835, but then took him to France and Italy with them between 1836 and 1838. Returning to England, Collins attended Cole's boarding school, and completed his education in 1841, after which he was apprenticed to the tea merchants Antrobus & Co. in the Strand. In 1846, Collins became a law student at Lincoln's Inn, and was called to the bar in 1851, although he never practiced. It was in 1848, a year after the death of his father, that he published his first book, The Memoirs of the Life of William Collins, Esq., R.A., to good reviews. The 1860s saw Collins' creative high-point, and it was during this decade that he achieved fame and critical acclaim, with his four major novels, The Woman in White (1860), No Name (1862), Armadale (1866) and The Moonstone (1868). The Moonstone, meanwhile is seen by many as the first true detective novel – T. S. Eliot called it "the first, the longest, and the best of modern English detective novels...in a genre invented by Collins and not by Poe.” Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Author : Michael Cox
ISBN : IND:30000054564814
Genre : Fiction
File Size : 41.73 MB
Format : PDF, Docs
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To savour these stories fully we must imagine ourselves in a slower, quieter world, lit by gas and tallow. Sitting by a crackling fire after a good dinner, we are disposed to be frightened a little. We may read of familiar settings: of railway stations, city streets, or country houses, but these are inhabited by fictional ghosts who often pursue their prey with deadly persistence, displaying both cunning and indiscriminate hostility. Our expectations of what a good ghost story shouldbe, as well as how a ghost should behave, derive largely from the Victorian period. The presence here of tales by Amelia Edwards, Rhoda Broughton, and Margaret Oliphant reflect the important contributions made by women writers to the development of the genre, and with stories by J. S. Le Fanu, Henry James, and Vincent O'Sullivan, this is an anthology to attract both the newcomer and addict of the genre.