SKY ABOVE GREAT WIND THE LIFE AND POETRY OF ZEN MASTER RYOKAN
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Ryokan (1758–1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him. His poetry and art were wildly popular even in his lifetime. He is now regarded as one of the greatest poets of the Edo Period, along with Basho, Buson, and Issa. He was also a master artist-calligrapher with a very distinctive style, due mostly to his unique and irrepressible spirit, but also because he was so poor he didn't usually have materials: his distinctive thin line was due to the fact that he often used twigs rather than the brushes he couldn't afford. He was said to practice his brushwork with his fingers in the air when he didn't have any paper. There are hilarious stories about how people tried to trick him into doing art for them, and about how he frustrated their attempts. As an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This collection contains more than 140 of Ryokan's poems, with selections of his art, and of the very funny anecdotes about him.
Ryokan (1758-1831), a Buddhist monk in the Zen sect, was a major figure in Tokugawa poetry. Though a Zen master, he never headed a temple but chose to live alone in simple huts and to support himself by begging. His poems are mainly a record of his daily activities--of chores, lonely snowbound winters, begging expeditions to town, meetings with friends, romps with the village children. At the same time they show us how rich a spiritual and intellectual life a man could enjoy in the midst of poverty. Ryokan's unusual personality and outlook are evident in this volume. His Japanese poems (waka) were influenced by the poets of the eighth-century Man'yoshu anthology. Eighty-three representative works are presented here. He also wrote Chinese poems (Kanshi), some doctrinal in nature and many inspired by Han-shan, a Buddhist recluse and Master of Cold Mountain. Forty-three of these are included in the collection. To enrich the text, the original Japanese poems are provided in romanized form. Also included are an explanation of the Buddhist practice of begging for food, and an introduction by Burton Watson.
The Japanese poet-recluse Ryokan (1758–1831) is one of the most beloved figures of Asian literature, renowned for his beautiful verse, exquisite calligraphy, and eccentric character. Deceptively simple, Ryokan's poems transcend artifice, presenting spontaneous expressions of pure Zen spirit. Like his contemporary Thoreau, Ryokan celebrates nature and the natural life, but his poems touch the whole range of human experience: joy and sadness, pleasure and pain, enlightenment and illusion, love and loneliness. This collection of translations reflects the full spectrum of Ryokan's spiritual and poetic vision, including Japanese haiku, longer folk songs, and Chinese-style verse. Fifteen ink paintings by Koshi no Sengai (1895–1958) complement these translations and beautifully depict the spirit of this famous poet.
Author : Eihei Dogen
ISBN : 086547186X
Genre : Philosophy
File Size : 50.77 MB
Format : PDF
Download : 512
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Eihei Dogen (1200-1253), among the first to transmit Zen Buddhism from China to Japan and founder of the important Soto School, was not only a profoundly influential and provocative Zen philosopher but also one of the most stimulating figures in Japanese letters. Kazuaki Tanahashi, collaborating with several other Zen authorities, has produced sensitive and accurate translations of Dogen's most important texts. Moon in a Dewdrop contains the key essays of the great master, as well as extensive background materials that will help Western readers to approach this significant work. There is also a selection of Dogen's poetry, most of which has not appeared in English translation before. Dogen's thought runs counter to conventional logic, employing paradoxical language and startling imagery. It illuminates such fundamental concerns as the nature of time, existence, life, death, the self, and what is beyond self.
This collection of Zen poetry by 19th century Japanese Buddhist monk and hermit Ryokan is a masterful exploration of life and nature. Ryokan's zen poems are celebration of the joys and sadness of everyday life. His spare, direct style is remarkable for its immediacy and intimacy. This bilingual collection contains more than 150 of his finest poems in Japanese and Chinese, including his famous lyrical correspondence with the nun Teishin, who befriended him in his later years. It also includes a biographical essay on Ryokan, and useful notes on the poems themselves.
A Zen poem is nothing other than an expression of the enlightened mind, a handful of simple words that disappear beneath the moment of insight to which it bears witness. Poetry has been an essential aid to Zen Buddhist practice from the dawn of Zen—and Zen has also had a profound influence on the secular poetry of the countries in which it has flourished. Here, two of America’s most renowned poets and translators provide an overview of Zen poetry from China and Japan in all its rich variety, from the earliest days to the twentieth century. Included are works by Lao Tzu, Han Shan, Li Po, Dogen Kigen, Saigyo, Basho, Chiao Jan, Yuan Mei, Ryokan, and many others. Hamill and Seaton provide illuminating introductions to the Chinese and Japanese sections that set the poets and their work in historical and philosophical context. Short biographies of the poets are also included.
Eihei Dogen (1200–1253), founder of the Soto School of Zen Buddhism, is one of the greatest religious, philosophical, and literary geniuses of Japan. His writings have been studied by Zen students for centuries, particularly his masterwork, Shobo Genzo or Treasury of the True Dharma Eye. This is the first book to offer the great master’s incisive wisdom in short selections taken from the whole range of his voluminous works. The pithy and powerful readings, arranged according to theme, provide a perfect introduction to Dogen—and inspire spiritual practice in people of all traditions.
Taigu Ryokan (1759-1831) remains one of the most popular figures in Japanese Buddhist history. Despite his religious and artistic sophistication, Ryokan referred to himself as Great Fool and refused to place himself within the cultural elite of his age. In contrast to the typical Zen master of his time, who presided over a large monastery, trained students, and produced recondite religious treatises, Ryokan followed a life of mendicancy in the countryside. Instead of delivering sermons, he expressed himself through kanshi (poems composed in classical Chinese) and waka and could typically be found playing with the village children in the course of his daily rounds of begging. Great Fool is the first study in a Western language to offer a comprehensive picture of the legendary poet-monk and his oeuvre. It includes not only an extensive collection of the master's kanshi, topically arranged to facilitate an appreciation of Ryokan's colorful world, but selections of his waka, essays, and letters. The volume also presents for the first time in English the Ryokan zenji kiwa (Curious Accounts of the Zen Master Ryokan), a firsthand source composed by a former student less than sixteen years after Ryokan's death. Although it lacks chronological order, the Curious Account is invaluable for showing how Ryokan was understood and remembered by his contemporaries. It consists of colorful anecdotes and episodes, sketches from Ryokan's everyday life. To further assist the reader, three introductory essays approach Ryokan from the diverse perspectives of his personal history and literary work.
Translated by Norman Waddell. Baisao was an influential and remarkably unconventional figure in a century known for its extensive pantheon of delightful eccentrics. He was a poet, a Zen Buddhist priest, a thinker and seller of tea. After settling into tea-selling life in his 50s, he lived out his remaining days composing poetry, brewing tea, and, especially in his final years, teaching Zen, becoming as he did one of the most well-loved figures in Kyoto. These poems, memoirs and letters trace his spiritual and physical journey over a long and remarkable life.
Author : Kazuaki Tanahashi
ISBN : 1439254907
Genre : Art
File Size : 66.34 MB
Format : PDF, ePub
Download : 370
Read : 345
A humorous book on Zen brushwork and calligraphy. Brush Mind provides insights into the philosophy of art with a collection of writings with only a few simple words. Every other page in the main section of this book shows an imaginative one-stroke painting created in monochrome.