QUEER PHILOLOGIES SEX LANGUAGE AND AFFECT IN SHAKESPEARES TIME MATERIAL TEXTS

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Queer Philologies

Author : Jeffrey Masten
ISBN : 9780812293173
Genre : Literary Criticism
File Size : 58.2 MB
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For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality. Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender—terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"—that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.
Category: Literary Criticism

Textual Intercourse

Author : Jeffrey Masten
ISBN : 0521589207
Genre : Drama
File Size : 86.35 MB
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Shows how the writing of Renaissance drama was conceptualised in the language of eroticism.
Category: Drama

Sodometries

Author : Jonathan Goldberg
ISBN : 9780823232215
Genre : Literary Criticism
File Size : 42.76 MB
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This book is about representations of sodomy. While most of the texts it considers are literary-works by Shakespeare, Marlowe, Spenser, among others-it is framed by political considerations, notably the 1986 U.S. Supreme Court decision in Bowers v. Hardwick that denied any constitutional act to private consensual acts that the court termed 'homosexual sodomy' and the rhetoric attaching sodomy to Saddam Hussein in the initial U.S. war in Iraq.The book takes as axiomatic Foucault's description of sodomy as 'that utterly confused category.' Without collapsing questions of historical difference, it works to articulate relations between the early modern period and our own, between a time before the homo/heterosexual divide and the modern regimes that assume it. In this book, sodometries (a Renaissance word for 'sodomy' chosen for its nonce-word suggestiveness) are sites of complications around definitions of sex and gender. Because 'sodomy' is not a term capable of singular definition, representations of sodomy are never direct. Sodomy exists only relationally.Three social domains for textual production are explored in this book: the sixteenth-century English court as the location of high literariness; the theater, especially as a site for controversy around cross-dressing; the New World as the place where the slaughter of native populations (and, in New England, of Englishmen as well) was carried out in the name of ridding the hemisphere of sodomites. These lethal impulses are read as foundational for a U.S. imaginary still operative in many powerful quarters.The analyses of literary texts engage the most advanced work in early modern literary criticism (that done by feminist and New Historicist critics) and proposes a queer perspective that necessarily complicates and enriches such inquiries. Besides offering detailed readings of literary texts not often read in terms of the history of sexuality (Shakespeare's history plays, for example), the book also examines narratives of the conquest and colonization of the Americas.
Category: Literary Criticism

Elizabethan Publishing And The Makings Of Literary Culture

Author : Kirk Melnikoff
ISBN : 9781487514945
Genre : Literary Criticism
File Size : 37.41 MB
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Elizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers’ Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare’s Hamlet, Thévet’s The New Found World, Constable’s Diana, and Marlowe’s Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century.
Category: Literary Criticism

Five Words

Author : Roland Greene
ISBN : 9780226000770
Genre : Literary Criticism
File Size : 52.88 MB
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Blood. Invention. Language. Resistance. World. Five ordinary words that do a great deal of conceptual work in everyday life and literature. In this original experiment in critical semantics, Roland Greene considers how these five words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other disciplines. Greene discusses a broad swath of Renaissance and transatlantic literature—including Shakespeare, Cervantes, Camões, and Milton—in terms of the development of these words rather than works, careers, or histories. He creates a method for describing and understanding the semantic changes that occur, extending his argument to other words that operate in the same manner. Aiming to shift the conversation around Renaissance literature from current approaches to riskier enterprises, Greene also challenges semantic-historicist scholars, proposing a method that takes advantage of digital resources like full-text databases but still depends on the interpreter to fashion ideas out of ordinary language. Five Words is an innovative and accessible book that points the field of literary studies in an exciting new direction.
Category: Literary Criticism

The Poetics Of Ruins In Renaissance Literature

Author : Andrew Hui
ISBN : 9780823273355
Genre : Art
File Size : 35.22 MB
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The book argues that the Renaissance was the Ruin-naissance, the birth of the ruin as category of discourse that inspired voluminous poetic production. By examining Petrarch, Du Bellay, the Hypnerotomachia Poliphili, Spenser, and Shakespeare, Hui explains how writers used the ruin to think about their relationship to classical antiquity.
Category: Art

Futile Pleasures

Author : Corey McEleney
ISBN : 9780823272655
Genre : Literary Criticism
File Size : 78.8 MB
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"Examines the ambivalent role that pleasure plays in early modern English writers' attempts to defend the utility of literature. Traces how that ambivalence gets replayed in modern critical frameworks as well as debates about the value of the humanities and liberal arts"--
Category: Literary Criticism

Queer Shakespeare

Author : Goran Stanivukovic
ISBN : 9781474295260
Genre : Literary Criticism
File Size : 53.84 MB
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Queer Shakespeare: Desire and Sexuality draws together 13 essays, which offer a major reassessment of the criticism of desire, body and sexuality in Shakespeare's drama and poetry. Bringing together some of the most prominent critics working at the intersection of Shakespeare criticism and queer theory, this collection demonstrates the vibrancy of queer Shakespeare studies. Taken together, these essays explore embodiment, desire, sexuality and gender as key objects of analyses, producing concepts and ideas that draw critical energy from focused studies of time, language and nature. The Afterword extends these inquiries by linking the Anthropocene and queer ecology with Shakespeare criticism. Works from Shakespeare's entire canon feature in essays which explore topics like glass, love, antitheatrical homophobia, size, narrative, sound, female same-sex desire and Petrarchism, weather, usury and sodomy, male femininity and male-to-female crossdressing, contagion, and antisocial procreation.
Category: Literary Criticism

Friendship And Queer Theory In The Renaissance

Author : John S. Garrison
ISBN : 9781134676576
Genre : Literary Criticism
File Size : 71.79 MB
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In this volume, the author offers a substantial reconsideration of same-sex relations in the early modern period, and argues that early modern writers – rather than simply celebrating a classical friendship model based in dyadic exclusivity and a rejection of self-interest – sought to innovate on classical models for idealized friendship. This book redirects scholarly conversations regarding gender, sexuality, classical receptions, and the economic aspects of social relations in the early modern period. It points to new directions in the application of queer theory to Renaissance literature by examining group friendship as a celebrated social formation in the work of early modern writers from Shakespeare to Milton. This volume will be of interest to scholars of the early modern period in England, as well as to those interested in the intersections between literature and gender studies, economic history and the economic aspects of social relations, the classics and the classical tradition, and the history of sexuality.
Category: Literary Criticism

Sex Before Sex

Author : James M. Bromley
ISBN : 0816680760
Genre : History
File Size : 67.64 MB
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Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for those who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England.
Category: History