Prolegomena To The Study Of Greek Religion

Author : Jane Ellen Harrison
ISBN : 0691015147
Genre : Philosophy
File Size : 72.76 MB
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"Harrison's Prolegomena to the Study of Greek Religion is a book that breathes life. It is an exciting, deeply felt intellectual quest, with a broad view of the role of religion in life, ancient and modern. Harrison is not afraid to look for relevance in archaic cult, and doesn't flinch on finding it. From a study of Greek anthropomorphism, she can conclude, like a seeress looking beyond the early twentieth century: to be human is not necessarily to be humane.'"--Richard Martin, Princeton University Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.
Category: Philosophy

Antike Mythen

Author : Ueli Dill
ISBN : 9783110217247
Genre : Religion
File Size : 39.83 MB
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Contributions by respected European and American scholars from the field of classical and religious studies are collected in this volume. It is a representative selection of contemporary research on myths, the forms they can take, and their transformation in various environments and ages.
Category: Religion

Orpheus In Der Sp Tantike

Author : Oliver Schelske
ISBN : 9783110259728
Genre : Literary Criticism
File Size : 33.40 MB
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In this work, the short epos Orpheus’ Argonautica that dates from Late Antiquity is subjected to a comprehensive re-examination. It reveals a work in which the poetic structure is much more complex than previously assumed and shows how Orpheus’ figure was handled in Late Antiquity thus presenting the recipient with a number of links to philosophic-religious and above all neoplatonic variants.
Category: Literary Criticism

Reading Rilke S Orphic Identity

Author : Erika M. Nelson
ISBN : 3039102877
Genre : Literary Criticism
File Size : 43.64 MB
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This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the -self- as a societal -construction- and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of -self-, but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms."
Category: Literary Criticism

Orpheus

Author : Otto Kern
ISBN : UCAL:$B107716
Genre : Orpheus (Greek mythology)
File Size : 36.27 MB
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Category: Orpheus (Greek mythology)

Absolute Music

Author : Mark Evan Bonds
ISBN : 9780199384723
Genre : Music
File Size : 29.1 MB
Format : PDF
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What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Category: Music

Moses Und Der Mythos

Author : René Bloch
ISBN : 9789004165014
Genre : Religion
File Size : 61.35 MB
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Jewish-Hellenistic authors rejected Greek myth, but they were also aware of its importance as a symbol of power and identity. This book offers a comprehensive reading of how Jews dealt with Greek mythology in the Hellenistic period. Jüdisch-hellenistische Autoren verwarfen die griechische Mythologie, aber sie waren sich auch der Wichtigkeit der Mythen als eines Symbols von Befugnis und Identität bewusst. Dieses Buch ist die erste weitgespannte Untersuchung über den Umgang jüdisch-hellenistischer Autoren mit der griechischen Mythologie.
Category: Religion