Author : Pavan K. Varma
ISBN : 0143064819
Genre : Poets, Persian
File Size : 32.57 MB
Format : PDF, Kindle
Download : 975
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A Brilliant Biography Of Nineteenth Century India S Greatest Poet Mirza Mohammad Asadullah Khan Ghalib Began Writing Poetry In Persian At The Age Of Nine And The Pre-Eminent Poet Of The Time, Mir, Predicted A Great Future For The Precocious Genius When He Was Shown His Verse. But Success And Material Rewards Did Not Come To Ghalib Easily For The Times Were Against Him, And He Did Not Suffer Fools Gladly Even If They Occupied Positions Of Importance. Ghalib Was At The Height Of His Powers When Events Took A Turn For The Worse. First Came The Decline Of The Mughal Court, Then The Rise Of The British Empire And, Finally, The Revolt Of 1857. Though Ghalib Lived Through The Upheavals And Purges Of The Revolt, In Which Many Of His Contemporaries And Friends Died And His Beloved Delhi Was Irrevocably Changed, He Was A Broken Man And Longed For Death. When He Died, On 15 February 1869, He Left Behind Some Of The Most Vivid Accounts Of The Events Of The Period Ever Written. In This Illuminating Biography Pavan K. Varma Evocatively Captures The Spirit Of The Man And The Essence Of The Times He Lived In.
Mirza Asadullah Khan Ghalib (1797 1869) Lived At A Time Of Historic Change In India A Period When The British Conquest Of India Was In Its Ascendancy And The Mughal Empire Was Coming To An End. He Was Witness To The Ravagement Of Delhi And Its Courtly Culture, Culminating In The Catastrophe Of The Uprising Of 1857. This Trauma, Accompanied By His Personal Losses, Informs His Poetry, Evidenced In Divan-E-Ghalib Containing 235 Ghazals In Urdu, Ghazals Redolent With A Sense Of Loss, Grief And A Plangent Longing For A Vanished Way Of Life. Yet, What Sets His Poetry Apart Is An Irrepressible Sense Of Humour, Energy And Linguistic Delight That Drive His Darkest Lamentations. In Ghalib: Epistemologies Of Elegance, Sara Suleri Goodyear And Azra Raza Select Twenty-One Ghazals That Illustrate The Astonishing Range Of Ghalib S Many Voices And The Ideas That Populate His Poetry. Every Ghazal Is Accompanied By An Introduction, A Literal Translation And A Detailed Commentary That Elucidate The Complexities Of The Individual Sher And The Ghazal As A Whole. The Result Is An Erudite Introduction To The Work Of The Greatest Urdu Poet Of All Time, Which Will Be Invaluable Not Only To The Ghalib Aficionado But Also The Lay Reader Spellbound By The Intricate Imagery And The Dazzling Scope Of This Extraordinary Poet.
Mirza Asadu'llah Khan Ghalib was the brightest luminary of his time in the South Asian, Muslim literary community. A poet in Urdu and Persian, he was endowed with exquisite imagination, sparkling wit, and a charming presence. Ghalib was a brilliant conversationalist, skilled in the art of human relations. In the last twenty years of his life, the political conditions of northern India caused the death or dispersion of many of his best friends. He satisfied his gregarious urges by writing exquisite letters in Urdu, in a delightfully conversational style. By these means Ghalib kept in touch with his scattered friends. These letters were so novel in style that the first collection was published only a month after the poet's death. In this book, Daud Rahbar provides thoroughly annotated English versions of 170 Urdu letters. These letters exemplify the possibility of elevating human relations to an art form, and Rahbar's translation reproduces the delicate flavor of the original Urdu prose.
This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.
This book has the unique distinction of presenting, in one compendious volume, the best of Ghalib in poetry and prose. It contains 104 ghazals, seven miscellaneous poems, and a bouquet of sixty-eight selected letters, besides a few striking couplets and qitas. The ghazals and poems are first given in the original form in calligraphic Urdu. This is followed, on the opposite page, by their English translation, couched in a language that is simple, lucid and rhythmical. The ghazals and poems have also been provided with a transliterated version in the Roman script. This should enable the non-Urdu-knowing reader to have a feel and flavour of the Urdu text. In addition, the book contains a critical-cum-biographical introduction which is comprehensive, well-documented, and insightful. It is hoped that the book will receive a welcome response from the lovers of Ghalib, who was an outstanding poet fit to rank with the greatest poets of the world, and a precious part of our cultural heritage.
Introduced and selected by Ralph Russell, an eminent Urdu scholar, this collection presents a representative selection of the works of Ghalib's , the most famous and popular of the Urdu poets that the Indian subcontinent has produced. This complete Ghalib anthrology comprises poetry and prose translated from both Persian and Urdu, as well as biographical details. The volume provides a context within which modern-day English-speaking readers can read and understand his work.
Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.