DIGITAL WARS

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Digital Wars

Author : Charles Arthur
ISBN : 9780749464141
Genre : Business & Economics
File Size : 49.71 MB
Format : PDF
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- Which of Apple, Google and Microsoft had an office with a "drawer of broken dreams" - and what (real) objects lay inside it? - When did Microsoft have the chance to catch Google in making money from search - and who vetoed it? - Why did Google test 40 shades of blue on its users? - How long did outside developers wait before asking to write apps for Apple's iPhone after Steve Jobs announced it? - Who said that Microsoft should have its own music player - and why did it fail? The answers, and much more, can be found in this new book by Charles Arthur, technology editor of The Guardian newspaper of London. Digital Wars starts in 1998, when the internet and computing business was about to be upended - by an antitrust case, a tiny start-up and a former giant rebuilding itself. It looks at what are now the three best-known tech companies, and through the voices of former and current staff examines their different strategies to try to win the battle to control the exploding network connecting the world. Microsoft was a giant - soon to become the highest-valued company in the world, while Apple was a minnow and Google just a startup. By February 10 2012, Apple was worth more ($462bn) than both Microsoft ($258bn) and Google ($198bn) combined. The chance had come from tumultuous battles between the three... To win their battles... Apple used design, the vertical model of controlling the hardware and software, and a relentless focus on the customer to the exclusion of others; Microsoft depended on the high quality of its employees' programming skills and its monopolies in software to try to move into new markets - such as search and music; Google focused on being quick, efficient, and using the power of data analysis - not human "taste" - to make decisions and get ahead of would-be rivals. With exclusive information from interviews with people such as Don Norman, former VP of Apple Computer and Pieter Knook, former SVP of the Mobile Communications Business at Microsoft, and many more current and former staff of the three companies - including one person who has worked for all three - Arthur also addresses: - what the inventors of the hard drive used in the iPod thought it would really be used for - how Apple transformed the smartphone market - which of Android or Apple that forced Microsoft to abandon Windows Mobile - what happened to Microsoft's tablet plans - and much more.
Category: Business & Economics

Digital War Reporting

Author : Donald Matheson
ISBN : 9780745639505
Genre : Social Science
File Size : 71.53 MB
Format : PDF, ePub
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Digital War Reporting examines war reporting in a digital age. It shows how new technologies open up innovative ways for journalists to convey the horrors of warfare while, at the same time, creating opportunities for propaganda, censorship and control. Topics discussed include: How is the role of the war reporter evolving as digital technologies become ever more prominent? What is the rhetoric of war in digital journalism? How does an emphasis on liveness, immediacy or realness shape public perceptions of the nature of warfare itself? Is technology widening the gap between 'us' and 'them', or are new kinds of empathy being established with distant others as time, space and place are effectively compressed? A key focus is journalists' use of digital imagery, real-time video and audio reports, multimedia databases – as well as satellites, broadband, podcasting, and mobile telephones – in the reporting of a range of wars, conflicts and crises. The examples analysed range from 24-hour television news coverage of the Persian Gulf War, the first 'internet war' in Kosovo, digital photography, from September 11 to Abu Ghraib, and bloggers in Iraq, including journalists, soldiers and ordinary citizens. Digital War Reporting is required reading for students, researchers and journalists.
Category: Social Science

Digital Wars Course Materials

Author : Curt Hessler
ISBN : OCLC:320042570
Genre :
File Size : 20.81 MB
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UCLA School of Law course materials containing photocopied articles for Law 578, taught Fall semester 2004.
Category:

Seminar Digital Wars

Author : Curt Hessler
ISBN : 8891797596
Genre :
File Size : 34.83 MB
Format : PDF
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UCLA School of Law course materials containing photocopied articles for Law 578, taught Fall semester, 2007.
Category:

Digital Wars

Author : Charles Arthur
ISBN : 8820351110
Genre : Business & Economics
File Size : 68.5 MB
Format : PDF, Kindle
Download : 653
Read : 655

Category: Business & Economics

Digital War

Author : Robert L. Bateman, III
ISBN : 0743474759
Genre : History
File Size : 75.18 MB
Format : PDF, ePub
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Nine incisive essays by distinguished military leaders and historians address the role of computers and complex technology in the modern military and examine the benefits and pitfalls of this growing dependence on the digital world. Reprint.
Category: History

Digital Music Wars

Author : Patrick Burkart
ISBN : 0742536696
Genre : Business & Economics
File Size : 77.9 MB
Format : PDF, ePub, Docs
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With the rising popularity of online music, the nature of the music industry is rapidly changing. Rather than buying albums, tapes, or CDs, music shoppers can purchase just one song at a time. It's akin to putting a coin into a diner jukebox except the jukebox is out in cyberspace. But has increasing copyright protection gone too far in keeping the music from the masses? The authors show how the online music industry will establish the model for digital distribution, cultural access, and consumer privacy. Digital Music Wars explores the far-reaching implications of downloading music in an in-depth and insightful way."
Category: Business & Economics

Adult Learning In The Digital Age

Author : Neil Selwyn
ISBN : 9781134248964
Genre : Education
File Size : 73.67 MB
Format : PDF, ePub
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This engaging book sheds light on the ways in which adults in the twenty-first century interact with technology in different learning environments. Based on one of the first large-scale academic research projects in this area, the authors present their findings and offer practical recommendations for the use of new technology in a learning society. They invite debate on: why ICTs are believed to be capable of affecting positive change in adult learning the drawbacks and limits of ICT in adult education what makes a lifelong learner the wider social, economic, cultural and political realities of the information age and the learning society. Adult Learning addresses key questions and provides a sound empirical foundation to the existing debate, highlighting the complex realities of the learning society and e-learning rhetoric. It tells the story of those who are excluded from the learning society, and offers a set of strong recommendations for practitioners, policy-makers, and politicians, as well as researchers and students.
Category: Education

Why We Fought

Author : Peter C. Rollins
ISBN : 9780813124933
Genre : Biography & Autobiography
File Size : 69.4 MB
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Looks at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. This volume contrasts recognized history and historical fiction with the versions appearing on the big screen. It reveals how film depictions of the country's wars have shaped our values, politics, and culture.
Category: Biography & Autobiography

Closed Circuits

Author : Garrett Stewart
ISBN : 9780226201351
Genre : Performing Arts
File Size : 48.23 MB
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The recent uproar over NSA dataveillance can obscure the fact that surveillance has been part of our lives for decades. And cinema has long been aware of its power—and potential for abuse. In Closed Circuits, Garrett Stewart analyzes a broad spectrum of films, from M and Rear Window through The Conversation to Déjà Vu, Source Code, and The Bourne Legacy, in which cinema has articulated—and performed—the drama of inspection’s unreturned look. While mainstays of the thriller, both the act and the technology of surveillance, Stewart argues, speak to something more foundational in the very work of cinema. The shared axis of montage and espionage—with editing designed to draw us in and make us forget the omnipresence of the narrative camera—extends to larger questions about the politics of an oversight regime that is increasingly remote and robotic. To such a global technopticon, one telltale response is a proliferating mode of digitally enhanced “surveillancinema.”
Category: Performing Arts