CINEMA OF SOLITUDE

Download Cinema Of Solitude ebook PDF or Read Online books in PDF, EPUB, and Mobi Format. Click Download or Read Online button to CINEMA OF SOLITUDE book pdf for free now.

Cinema Of Solitude

Author : Charles Ramírez Berg
ISBN : 9780292791923
Genre : Performing Arts
File Size : 33.39 MB
Format : PDF, Docs
Download : 820
Read : 594

La crisis, a period of political and economic turmoil in Mexico that began in the late 1960s, spawned a new era in Mexican cinema. Known as el Nuevo Cine (the New Cinema), these films presented alienated characters caught in a painful transition period in which old family, gender, and social roles have ceased to function without being replaced by viable new ones. These are the films explored by Charles Ramírez Berg in Cinema of Solitude, the first book-length critical study of Mexican cinema in English. Berg discusses the major films and filmmakers of el Nuevo Cine in depth. He analyzes dozens of commercial movies, from popular comedies and adventures to award-winning films. Introductory chapters address the issue of mexicanidad (Mexican national identity) and outline Mexican history, the history of film as popular culture and as a leading national industry, and the ideological dynamics of Mexican cinema. In thematically arranged chapters, Berg investigates the images of women, men, and social structures portrayed in New Cinema films. He finds that women characters have begun to reject traditional stereotypes for more positive images, while male characters have grown ambiguous and undefined as machismo is abandoned. Other chapters trace the continuing marginalization of Indians in Mexican culture, the changes in male dominance within the family, and the disruptive social and economic effects caused by migration. For everyone interested in Mexican culture as reflected in its major cinematic productions, as well as students of film theory and national cinemas, this book will be important reading.
Category: Performing Arts

The Cinema Of North Africa And The Middle East

Author : Abbas Kiarostami
ISBN : 1905674104
Genre : Performing Arts
File Size : 68.81 MB
Format : PDF, Docs
Download : 456
Read : 1023

"Twenty-four essays on individual selected films, many by scholars and writers based in the region. It explores established film cultures such as those of Turkey and Iran, and also nascent cinemas such as those of Israel, Palestine and Syria. ... Selected films include Cairo Station (Egypt, 1958), Umat (Turkey, 1970), The Runner (Iran, 1989) ... Once upon a time, Beriut (Lebanon, 1994), Chronicle of a disappearance (Palestine, 1996), Circle of dreams (Israel, 2000), Ten (Iran, 2002) and Uzak (Turkey, 2003)."--Page 4 of cover.
Category: Performing Arts

Late Godard And The Possibilities Of Cinema

Author : Daniel Morgan
ISBN : 9780520273313
Genre : Performing Arts
File Size : 23.24 MB
Format : PDF, Docs
Download : 424
Read : 229

“Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard ‘thinks’ in, of, and through cinema. Drawing on his extensive knowledge of French culture, politics and theory, Morgan skillfully illustrates the complex relations between history, aesthetics, and nature in the director’s later works. Defying criticism of Godard’s alleged retreat from politics, this book provides compelling, detailed, and erudite analyses of his later films and illuminates the auteur’s political and aesthetic response to the so-called ‘death of cinema.’”— Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive. “Daniel Morgan charts a sensible route into the impenetrable Jean-Luc Godard. Posing clear yet insistent questions, he burrows to the center of both parts of this book’s formidable title, finding in late Godard an aesthetic fusion that generates the light and heat of a trenchant and powerful political critique. Anyone who feels drawn or licensed to write about Godard should read Morgan before setting out.”—Dudley Andrew, author of What Cinema Is! “Daniel Morgan's Late Godard and the Possibilities of Cinema signals a major breakthrough in the international study of the cinema of Jean-Luc Godard. Reconciling the filmmaker's peculiarly Romantic sense of aesthetics —to which the book pays scrupulous, material attention—with the thorny political histories that Godard's cinema has always probed, Morgan gives us new, compelling, synthetic tools with which to understand an artist who is at once the most cryptic and the most sensuous of all living filmmakers.”—Adrian Martin, Monash University, co-editor of lolajournal.com
Category: Performing Arts

Latsploitation Exploitation Cinemas And Latin America

Author : Victoria Ruétalo
ISBN : 9781135848767
Genre : Social Science
File Size : 47.5 MB
Format : PDF, Kindle
Download : 312
Read : 1028

Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived ‘low’ cultural status. It argues that Latin American exploitation cinema makes an important aesthetic and social contribution to the larger body of Latin American cinema – often competing with Hollywood and more mainstream national cinemas in terms of popularity.
Category: Social Science

The Utopia Of Film

Author : Christopher Pavsek
ISBN : 9780231530811
Genre : Performing Arts
File Size : 28.82 MB
Format : PDF
Download : 618
Read : 406

The German filmmaker Alexander Kluge has long promoted cinema’s relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema’s ability to bring about what Theodor W. Adorno once called a “redeemed world,” even in the face of new cultural and technological challenges. In three groundbreaking essays, Christopher Pavsek showcases these utopian visions, drawing attention to their strengths, weaknesses, and undeniable impact on film’s political evolution. Pavsek approaches Godard, Tahimik, and Kluge as thinkers first, situating their films within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action. He replays the battle these artists waged against Hollywood interests, the seduction of other digital media, and the privileging of mass entertainment over cinema’s progressive, revolutionary roots. He discusses Godard’s early work, Alphaville (1965), against his later films, Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and conducts the first scholarly reading of Film Socialisme (2010) and its new form of utopian optimism. He considers Tahimik’s virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with his major works, Perfumed Nightmare (1977) and Turumba (1983), in which he calls on the anticolonial impulses of his native Philippines to resist Western commodity culture; and he constructs a dialogue between Kluge’s earliest films, Brutality in Stone (1961) and Yesterday Girl (1965), and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009), noting a utopianism deeply indebted to Marx and Adorno yet designed to appeal to modern sensibilities. In the thwarted ambitions, disappointed hopes, and thrilling experiments of these forward-thinking filmmakers, Pavsek reinforces an important chapter in the history of film and its relevance to political filmmaking today.
Category: Performing Arts

Everything Is Cinema

Author : Richard Brody
ISBN : 9781429924313
Genre : Biography & Autobiography
File Size : 62.97 MB
Format : PDF, ePub, Mobi
Download : 469
Read : 387

A landmark biography explores the crucial resonances among the life, work, and times of one of the most influential filmmakers of our age When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
Category: Biography & Autobiography

The Classical Mexican Cinema

Author : Charles Ramírez Berg
ISBN : 9781477308073
Genre : Performing Arts
File Size : 29.80 MB
Format : PDF, ePub
Download : 178
Read : 1332

From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.
Category: Performing Arts

The Cinema Of Michael Haneke

Author : Ben McCann
ISBN : 9780231504652
Genre : Performing Arts
File Size : 75.96 MB
Format : PDF
Download : 830
Read : 1191

Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations& mdash;bourgeois alienation, modes and critiques of spectatorship, the role of the media& mdash;and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.
Category: Performing Arts

Cinema Transnationalism And Colonial India

Author : Babli Sinha
ISBN : 9781136765001
Genre : History
File Size : 66.70 MB
Format : PDF, ePub
Download : 350
Read : 179

Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
Category: History

The Philosophy Of Film Noir

Author : Mark T. Conard
ISBN : 0813191815
Genre : Performing Arts
File Size : 69.26 MB
Format : PDF, Kindle
Download : 594
Read : 954

From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
Category: Performing Arts