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When Jughead's beloved pet Hot Dog is killed in a hit and run, Jughead turns to the only person he knows who can help bring back his furry best friend—Sabrina the Teenage Witch. Using dark, forbidden magic, Sabrina is successful and Hot Dog returns to the land of the living. But he's not the same... and soon, the darkness he brings back with him from beyond the grave begins to spread, forcing Archie, Betty, Veronica and the gang to try to escape from Riverdale!
NEW ONGOING SERIES! “Escape From Riverdale”—This is how the end of the world begins… Harvey Award-winning writer Roberto Aguirre-Sacasa (Carrie, Archie meets Glee) and Eisner-winning artist Francesco Francavilla (Batman, Black Beetle) take Archie and the gang where they’ve never been before—to the grave and back! A horrific accident sets off a series of grim events and Sabrina the Teenage Witch must try to repair the unspeakable evil her spell has unleashed. Gasp in horror as Riverdale faces an impending zombie Arch-pocalypse in this brand-new, spine-tingling ongoing series—but be warned, kiddies, this one’s not for the faint of heart! For TEEN+ readers.
From the author of the New York Times best-selling graphic novel Afterlife with Archie: Escape from Riverdale comes the horror sensation Chilling Adventures of Sabrina. This title contains Roberto Aguirre-Sacasa's story so far, in addition to never-before-seen comic items and imagery from the Netflix series in a premium, over-sized hardcover format. Terror is born anew in this dark reimagining of Sabrina the Teenage Witch's origin, an occult coming-of-age thriller! On the eve of her sixteenth birthday, the young sorceress finds herself at a crossroads, having to choose between an unearthly destiny and her mortal boyfriend, Harvey. But a foe from her family's past has arrived in Greendale, Madame Satan, and she has her own deadly agenda.
“Escape from Riverdale,” Part 4 [of 5]: With two more members of our beloved gang infected by the dreadful zombie-virus, Riverdale's one sanctuary—Lodge Mansion—has been compromised. The kids are left to make a significant decision—do they stay and fight or flee the only town they've ever known? Meanwhile, Archie makes a horrific discovery in his own home, one that may cost him his life! It's red-headed teen versus gruesomely undead canine PLUS sorcery stories from the vault and all new special features in this magazine-size version of the award-winning TEEN+ series. Definitely NOT for all ages!
Author : Jessica E. Moyer
ISBN : 9781440838477
Genre : Language Arts & Disciplines
File Size : 33.11 MB
Format : PDF, ePub, Mobi
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Help maximize your existing collection with this browsable volume containing titles that serve double-duty with their appeal to both teens and adults and cover genres spanning crime novels, romance, horror, science fiction, and more. • Features annotations that focus on reader appeal factors • Provides lists of titles as well as tips for using them with readers • Considers the appeal of various genres to adults and young adults • Acknowledges format availability, including various digital formats
Author : Tim Lanzendörfer
ISBN : 9781496819079
Genre : Literary Criticism
File Size : 51.91 MB
Format : PDF, Kindle
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The zombie has cropped up in many forms--in film, in television, and as a cultural phenomenon in zombie walks and zombie awareness months--but few books have looked at what the zombie means in fiction. Tim Lanzendörfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature. Lanzendörfer brings together the most recent critical discussion of zombies and applies it to a selection of key texts including Max Brooks's World War Z, Colson Whitehead's Zone One, Junot Díaz's short story "Monstro, " Robert Kirkman's comic series The Walking Dead, and Seth Grahame-Smith's Pride and Prejudice and Zombies. Within the context of broader literary culture, Lanzendörfer makes the case for reading these texts with care and openness in their own right. Lanzendörfer contends that what zombies do is less important than what becomes possible when they are around. Indeed, they seem less interesting as metaphors for the various ways the world could end than they do as vehicles for how the world might exist in a different and often better form.